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"So brilliant, so well-written, so hilariously fantastic...so loooong. And so far, for me, not in the fun way. Hope I finish it by morning." — Jul 12, 2014 07:38PM
"So brilliant, so well-written, so hilariously fantastic...so loooong. And so far, for me, not in the fun way. Hope I finish it by morning." — Jul 12, 2014 07:38PM
“No matter how happy I had been in the past I do not long for it. The present is always the moment for which I love.”
― The Autobiography of My Mother
― The Autobiography of My Mother
“Frida Kahlo to Marty McConnell
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.”
―
leaving is not enough; you must
stay gone. train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.”
―
“The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.”
―
―
“I recently spoke at a university where a student told me it was such a shame that Nigerian men were physical abusers like the father character in my novel. I told him that I had recently read a novel called American Psycho,and that it was a shame that young Americans were serial murderers.”
―
―
“So go ahead. Do it—open the book. See? You see me, right? And I see you. See? I am reading your face, your eyes, your lips. I know the sufferdust on your brow. I can see you reading and I can tell, too, when you are here, when you’re absent, what you’ve read and how it affects you. There is no more hiding. I see your chords—your fractures, your cold gifts, where and when you’ve hurt people and why. It’s all right there—your stories are written right there on your face!”
―
―
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