Emma Miao

“Memories are always bent retrospectively to fit individual narratives”
― Emily St. John Mandel, The Glass Hotel

“But anyway, I look around sometimes and I think - this will maybe sound weird - it's like the corporate world's full of ghosts. And actually, let me revise that, my parents are in academia so I've had front row seats for that horror show, I know academia's no different, so maybe a fairer way of putting this would be to say that adulthood's full of ghosts."

"I'm sorry, I'm not sure I quite --"

"I'm talking about these people who've ended up in one life instead of another and they are just so disappointed. Do you know what I mean? They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped. Dan's like that."

"You don't think he likes his job, then."

"Correct," she said, "but I don't think he even realises it. You probably encounter people like him all the time. High-functioning sleepwalkers, essentially.”
― Emily St. John Mandel, Station Eleven

“The only difference between lying and acting was whether your audience was in on it, but it was all a performance just the same.”
― Brit Bennett, The Vanishing Half

“First we only want to be seen, but once we’re seen, that’s not enough anymore. After that, we want to be remembered.”
― Emily St. John Mandel, Station Eleven