“Exchanging Hats
Unfunny uncles who insist
in trying on a lady's hat,
--oh, even if the joke falls flat,
we share your slight transvestite twist
in spite of our embarrassment.
Costume and custom are complex.
The headgear of the other sex
inspires us to experiment.
Anandrous aunts, who, at the beach
with paper plates upon your laps,
keep putting on the yachtsmen's caps
with exhibitionistic screech,
the visors hanging o'er the ear
so that the golden anchors drag,
--the tides of fashion never lag.
Such caps may not be worn next year.
Or you who don the paper plate
itself, and put some grapes upon it,
or sport the Indian's feather bonnet,
--perversities may aggravate
the natural madness of the hatter.
And if the opera hats collapse
and crowns grow draughty, then, perhaps,
he thinks what might a miter matter?
Unfunny uncle, you who wore a
hat too big, or one too many,
tell us, can't you, are there any
stars inside your black fedora?
Aunt exemplary and slim,
with avernal eyes, we wonder
what slow changes they see under
their vast, shady, turned-down brim.”
―
Unfunny uncles who insist
in trying on a lady's hat,
--oh, even if the joke falls flat,
we share your slight transvestite twist
in spite of our embarrassment.
Costume and custom are complex.
The headgear of the other sex
inspires us to experiment.
Anandrous aunts, who, at the beach
with paper plates upon your laps,
keep putting on the yachtsmen's caps
with exhibitionistic screech,
the visors hanging o'er the ear
so that the golden anchors drag,
--the tides of fashion never lag.
Such caps may not be worn next year.
Or you who don the paper plate
itself, and put some grapes upon it,
or sport the Indian's feather bonnet,
--perversities may aggravate
the natural madness of the hatter.
And if the opera hats collapse
and crowns grow draughty, then, perhaps,
he thinks what might a miter matter?
Unfunny uncle, you who wore a
hat too big, or one too many,
tell us, can't you, are there any
stars inside your black fedora?
Aunt exemplary and slim,
with avernal eyes, we wonder
what slow changes they see under
their vast, shady, turned-down brim.”
―
“She could afford anything, she could give anything, but she could not share a moment of her life with anybody. She
was a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality — she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense.”
― A Maverick Heart: Between Love and Life
was a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality — she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense.”
― A Maverick Heart: Between Love and Life
“Your name is a -- bird in my hand
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.”
―
a piece of -- ice on the tongue
one single movement of the lips.
Your name is: five signs,
a ball caught in flight, a
silver bell in the mouth
a stone, cast in a quiet pool
makes the splash of your name, and
the sound is in the clatter of
night hooves, loud as a thunderclap
or it speaks straight into my forehead,
shrill as the click of a cocked gun.
Your name -- how impossible, it
is a kiss in the eyes on
motionless eyelashes, chill and sweet.
Your name is a kiss of snow
a gulp of icy spring water, blue
as a dove. About your name is: sleep.”
―
“A man can fantasize about other women and thinks they are in love with only one person.
Whilst
A woman cannot. They consider it as cheating.”
―
Whilst
A woman cannot. They consider it as cheating.”
―
“Let me tell you something, honey. Fifty percent of life is others trying to push their own agenda on you—their belief system, their views, their convictions. The other fifty percent is you deciding whether or not you’re going to let them. Or if you’re going to form your own opinions.
-Miss Velma”
― Love and Relativity
-Miss Velma”
― Love and Relativity
Shreelekha’s 2024 Year in Books
Take a look at Shreelekha’s Year in Books, including some fun facts about their reading.
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