Paul O'connor

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Book cover for Inventing Imaginary Worlds: From Childhood Play to Adult Creativity Across the Arts and Sciences
world·play
Paul O'connor
world·play 1. the invention of an imaginary world, sometimes called a paracosm; 2. in childhood and youth, an outcome of the normally developing imagination, often associated with play in secret, found, and constructed places; 3. self-generated make-believe, tending to the sustained mental modeling of a hypothetical place or system; 4. in the arts, a plausible pretense; in the sciences and social sciences, a possible world; 5. a touchstone experience, a creative strategy
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Richard Branson
“You don't learn to walk by following rules. You learn by doing, and by falling over.”
Richard Branson

Charlie Chaplin
“You need Power,
only when you want
to do something harmful
otherwise
Love is enough to get everything done.”
Charles Chaplin

Martin Luther King Jr.
“One day the absurdity of the almost universal human belief in the slavery of other animals will be palpable. We shall then have discovered our souls and become worthier of sharing this planet with them.”
Martin Luther King, Jr.

Shane Claiborne
“Peace is not just about the absence of conflict; it’s also about the presence of justice. Martin Luther King Jr. even distinguished between “the devil’s peace” and God’s true peace. A counterfeit peace exists when people are pacified or distracted or so beat up and tired of fighting that all seems calm. But true peace does not exist until there is justice, restoration, forgiveness. Peacemaking doesn’t mean passivity. It is the act of interrupting injustice without mirroring injustice, the act of disarming evil without destroying the evildoer, the act of finding a third way that is neither fight nor flight but the careful, arduous pursuit of reconciliation and justice. It is about a revolution of love that is big enough to set both the oppressed and the oppressors free.”
Shane Claiborne, Common Prayer: A Liturgy for Ordinary Radicals

Ursula K. Le Guin
“I think hard times are coming, when we will be wanting the voices of writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. And even imagine some real grounds for hope. We will need writers who can remember freedom: poets, visionaries—the realists of a larger reality. Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. … The name of our beautiful reward is not profit. Its name is freedom.”
Ursula Le Guin

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