“Tis like she comes to speak of Cassio’s death,
The noise was high. Ha! No more moving?
Still as the grave. Shall she come in? Were ’t good?
I think she stirs again—No. What’s best to do?
If she come in, she’ll sure speak to my wife—
My wife! my wife! what wife? I have no wife.
Oh, insupportable! Oh, heavy hour!
Methinks it should be now a huge eclipse
Of sun and moon, and that th' affrighted globe
Should yawn at alteration.”
― Othello
The noise was high. Ha! No more moving?
Still as the grave. Shall she come in? Were ’t good?
I think she stirs again—No. What’s best to do?
If she come in, she’ll sure speak to my wife—
My wife! my wife! what wife? I have no wife.
Oh, insupportable! Oh, heavy hour!
Methinks it should be now a huge eclipse
Of sun and moon, and that th' affrighted globe
Should yawn at alteration.”
― Othello
“Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aerie-light, from pure digestion bred,
And temperate vapors bland, which the only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest: He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamored, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus. Awake,
My fairest, my espoused, my latest found,
Heaven's last best gift, my ever new delight!
Awake: The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colors, how the bee
Sits on the bloom extracting liquid sweet.”
― Paradise Lost
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aerie-light, from pure digestion bred,
And temperate vapors bland, which the only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest: He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamored, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus. Awake,
My fairest, my espoused, my latest found,
Heaven's last best gift, my ever new delight!
Awake: The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colors, how the bee
Sits on the bloom extracting liquid sweet.”
― Paradise Lost
“Thus repulsed, our final hope
Is flat despair: we must exasperate
The Almighty Victor to spend all his rage;
And that must end us; that must be our cure,
To be no more. Sad cure! for who would lose,
Though full of pain, this intellectual being,
Those thoughts that wander through eternity,
To perish rather, swallowed up and lost
In the wide womb of uncreated night,
Devoid of sense and motion? And who knows,
Let this be good, whether our angry Foe
Can give it, or will ever? How he can
Is doubtful; that he never will is sure.
John Milton, Belial
(Book II Paradise Lost)”
― Paradise Lost
Is flat despair: we must exasperate
The Almighty Victor to spend all his rage;
And that must end us; that must be our cure,
To be no more. Sad cure! for who would lose,
Though full of pain, this intellectual being,
Those thoughts that wander through eternity,
To perish rather, swallowed up and lost
In the wide womb of uncreated night,
Devoid of sense and motion? And who knows,
Let this be good, whether our angry Foe
Can give it, or will ever? How he can
Is doubtful; that he never will is sure.
John Milton, Belial
(Book II Paradise Lost)”
― Paradise Lost
“It is the same in life; the heart changes, and that is our worst misfortune ; but we learn of it only from reading or by imagination ; for in reality its alteration, like that of a certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.”
― Swann's Way
― Swann's Way
“My father, father!' - she might pray to the winds;
no innocence moves her judges mad for war.
Her father called his henchmen on,
on with a prayer,
'Host her over the alter
like a yearling, give it all your strength!
She's fainting - lift her,
sweep her robes around her,
but slip this strap in her gentle curving lips...
here, gag her hard, a sound will curse the house'-
and the bridle chokes her voice... her saffron robes
pouring over the sand
her glance like arrows showering
wounding every murderer through with pity
clear as a picture, live,
she strains to call their names...
I remember often the days with father's guests
when over the feast her voice unbroken,
purees the home her loving father
bearing third libations, sang to Saving Zeus -
transfixed with joy, Atreus' offspring
throbbing out their love.”
―
no innocence moves her judges mad for war.
Her father called his henchmen on,
on with a prayer,
'Host her over the alter
like a yearling, give it all your strength!
She's fainting - lift her,
sweep her robes around her,
but slip this strap in her gentle curving lips...
here, gag her hard, a sound will curse the house'-
and the bridle chokes her voice... her saffron robes
pouring over the sand
her glance like arrows showering
wounding every murderer through with pity
clear as a picture, live,
she strains to call their names...
I remember often the days with father's guests
when over the feast her voice unbroken,
purees the home her loving father
bearing third libations, sang to Saving Zeus -
transfixed with joy, Atreus' offspring
throbbing out their love.”
―
Jacey’s 2025 Year in Books
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