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The Invisible Man
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This Is All: The ...
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Le Ton beau de Ma...
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Alice Walker
“Listen, God love everything you love - and a mess of stuff you don't. But more than anything else, God love admiration.

You saying God vain? I ast.

Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.

What it do when it pissed off? I ast.

Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back.”
Alice Walker, The Color Purple

Markus Zusak
“… it was raining on Himmel Street when the world ended for Liesel Meminger.
The sky was dripping.
Like a tap that a child has tried its hardest to turn off but hasn’t quite managed.”
Markus Zusak, The Book Thief

Markus Zusak
“Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.”
Markus Zusak, The Book Thief

Michael Chabon
“They lay there for a few seconds, in the dark, in the future, listening to the fabulous clockwork of their hearts and lungs, and loving each other”
Michael Chabon, The Amazing Adventures of Kavalier & Clay

Annie Dillard
“Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so that we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking.”
Annie Dillard, The Writing Life: The Classic Essay Collection on the Creative Process

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