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Confessions
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Collected Ghost S...
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The Complete Poem...
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H.P. Lovecraft
“Pleasure to me is wonder—the unexplored, the unexpected, the thing that is hidden and the changeless thing that lurks behind superficial mutability.”
H.P. Lovecraft

Kim  Gordon
“That stage in life when older people assume that just because you've graduated college you know who you are, or what you're doing, and in fact most people don't.”
Kim Gordon, Girl in a Band

Harold Bloom
“School of Resentment is a term coined by critic Harold Bloom to describe related schools of literary criticism which have gained prominence in academia since the 1970s and which Bloom contends are preoccupied with political and social activism at the expense of aesthetic values.[1]
Broadly, Bloom terms "Schools of Resentment" approaches associated with Marxist critical theory, including African American studies, Marxist literary criticism, New Historicist criticism, feminist criticism, and poststructuralism—specifically as promoted by Jacques Lacan, Jacques Derrida and Michel Foucault. The School of Resentment is usually defined as all scholars who wish to enlarge the Western canon by adding to it more works by authors from minority groups without regard to aesthetic merit and/or influence over time, or those who argue that some works commonly thought canonical promote sexist, racist or otherwise biased values and should therefore be removed from the canon. Bloom contends that the School of Resentment threatens the nature of the canon itself and may lead to its eventual demise. Philosopher Richard Rorty[2] agreed that Bloom is at least partly accurate in describing the School of Resentment, writing that those identified by Bloom do in fact routinely use "subversive, oppositional discourse" to attack the canon specifically and Western culture in general.”
Harold Bloom

Shirley Jackson
“You see,” said Tony, her voice still soft so as not to be overheard, but somehow fierce and angry, “it frightens me when people try to grab at us like that. I can’t sit still and just let people watch me and talk to me and ask me questions. You see,” she said again, as though trying to moderate her words and explain, “they want to pull us back, and start us all over again just like them and doing the things they want to do and acting the way they want to act and saying and thinking and wanting all the things they live with every day.”
Shirley Jackson, Hangsaman

Leigh Brackett
“Plot is people. Human emotions and desires founded on the realities of life, working at cross purposes, getting hotter and fiercer as they strike against each other until finally there’s an explosion—that’s Plot.”
Leigh Brackett

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Mike Thorn
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