Nev Percy

“When last I checked, you were a sorcerer, not a Jedi."
"You've seen Star Wars?"
"Seen it and denounced it."
"You've denounced Star Wars?"
She looked me straight in the eye and said, "Hollywood should not glorify witches."
"I think you've missed the point..."
"I also denounce Harry Potter."
"Really?"
"Yes."
"Because..."
"...because literature, especially children's literature, should not glorify witches."
"Oda, what do you do for fun?"
She thought about it, then said, without a jot of humor, "I denounce things.”
― Kate Griffin, The Midnight Mayor

“I've heard of a guy in Chicago who advertises in the phone book under "Wizard",though that's probably a urban legend.”
― Benedict Jacka, Fated

“that willing suspension of disbelief for the moment, which constitutes poetic faith”
― Samuel Taylor Coleridge

“Children are capable, of course, of literary belief, when the story-maker's art is good enough to produce it. That state of mind has been called 'willing suspension of disbelief'. But this does not seem to me a good description of what happens. What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside. If you are obliged, by kindliness or circumstance, to stay, then disbelief must be suspended (or stifled), otherwise listening and looking would become intolerable. But this suspension of disbelief is a substitute for the genuine thing, a subterfuge we use when condescending to games or make-believe, or when trying (more or less willingly) to find what virtue we can in the work of an art that has for us failed.”
― J.R.R. Tolkien, The Monsters and the Critics and Other Essays