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Immediacy: Or, Th...
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Joan Didion
“Some women fight and others do not. Like so many successful guerrillas in the war between the sexes, Georgia O’Keeffe seems to have been equipped early with an immutable sense of who she was and a fairly clear understanding that she would be required to prove”
Joan Didion, The White Album: Essays

Marina Abramović
“I had come to believe that art must be disturbing, art must ask questions, art must predict the future. If art is just political, it becomes like newspaper. It can be used once, and the next day it's yesterday's news. Only layers of meaning can give long life to art - that way, society takes what it needs from the work over time.”
Marina Abramović, Walk Through Walls: A Memoir
tags: art

Joan Didion
“We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.”
Joan Didion, The White Album

Jonas Mekas
“I read a lot. I listen a lot. I think a lot. But so little remains. The books I read, their plots, their protagonists fade. The university lectures that I had found pretty impressive on first hearing, have faded away. Now I am listening to one on Pirandello. Names of people, books, cities. They are already fading away. Even the titles of films I’ve seen recently — they have already faded. Authors of thousands of books I’ve read... All that remains are the colours of their bindings, their covers. I don’t remember much about Beauty and the Beast, but I remember clearly, vividly the hear of the day as we were crossing the Rhine bridge, to see the film. Everything that I see, or red, or listen to, connects, translates into moods, bits of surroundings, colors. No, I am not a novelist. No precision of observation, detail. With me, everything is mood, mood, or else —simply nothingness.”
Jonas Mekas, I Had Nowhere to Go

Richard Hell
“it was a crime to take anything too seriously, as oppressed as we felt by the adult and conventional world. All the most serious art is not only sad but hilarious. What other intelligent way to live is there but to laugh about it? The alternative, also respectable, is suicide. But how could you do that? Not only would it betray a woeful lack of humor, but it would keep you from finding out what was going to happen next.”
Richard Hell, I Dreamed I Was a Very Clean Tramp

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