Travis J. Coner

“But what helps? What do we need to know? Not everything. Everything confuses. Directness also confuses. The full-face portrait staring back at you hypnotises. Flaubert is usually looking away in his portraits and photographs. He’s looking away so that you can’t catch his eye; he’s also looking away because what he can see over your shoulder is more interesting than your shoulder.”
― Julian Barnes, Flaubert's Parrot

“The past is a distant, receding coastline, and we are all in the same boat. Along the stern rail there is a line of telescopes; each brings the shore into focus at a given distance. If the boat is becalmed, one of the telescopes will be in continual use; it will seem to tell the whole, the unchanging truth. But this is an illusion; and as the boat sets off again, we return to our normal activity: scurrying from one telescope to another, seeing the sharpness fade in one, waiting for the blur to clear in another. And when the blur does clear, we imagine that we have made it do so all by ourselves.”
― Julian Barnes, Flaubert's Parrot

“Daijiro said the group was composed of retired fruit and vegetable wholesalers on a week-long tour of America. They were visiting three places only: Niagara Falls, Las Vegas and Atlanta. “We want to see the history and beauty of America,” Daijiro explained.”
― Tony Horwitz, Confederates in the Attic: Dispatches from the Unfinished Civil War

“Like heavy heads of wheat whispering to each other right before harvest, our murmurs rippled.”
― Janet Skeslien Charles, The Paris Library