Rebeca

“Moçambique é essa imagem parada da menina ao sol, com as tranças louras impecavelmente penteadas, perante a criança negra empoeirada, quase nua, esfomeada, num silêncio em que nenhum sabe o que dizer, mirando-se do mesmo lado e dos lados opostos da justiça, do bem e do mal, da sobrevivência.”
― Isabela Figueiredo, Caderno de Memórias Coloniais

“We are all living, at most, half of a life, she thought. There was the life you lived, which consisted of the choices you made. And then, there was the other life, the one that was the things you hadn't chosen.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“The alternative to appropriation is a world in which artists only reference their own cultures."

"That's an oversimplification of the issue."

"The alternative to appropriation is a world where white European people make art about white European people with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world don't you? I'm terrified of that world and I don't want to live in a that world, and as a mixed race person, I literally don't exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Korea Town Los Angeles and as any mixed race person will tell you-- to be half of two things is to be whole of nothing.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

“Isn’t that the definition of insanity? Doing the same thing over and over but expecting a different result.” “That’s a game character’s life, too,” Sam said. “The world of infinite restarts. Start again at the beginning, this time you might win. And it’s not as if all our results were bad. I love the things we made. We were a great team.”
― Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow