Angelina

“If all change is sea change, he thought on the train back to Mortlake, then he could describe his own crisis – whatever it had been – as distributed rather than catastrophic. Sea change precludes the single cause, is neither convulsive nor properly conclusive: perhaps, like anyone five fathoms down into their life, he had simply experienced a series of adjustments, of overgrowths and dissolvings – processes so slow they might still be going on, so that the things happening to him now were not so much an aftermath as the expanding edge of the disaster itself, lapping at recently unrecognisable coasts.”
― M. John Harrison, The Sunken Land Begins to Rise Again

“Maggot calmed me down by explaining Bible stories were a category of superhero comic. Not to be confused with real life.”
― Barbara Kingsolver, Demon Copperhead

“Go on like this and you’ll never get used to yourself or anything else,’ his mother had warned him more than once. ‘You’ll always be reinventing the wheel.’ Then, as if aside to a third party: ‘And my God, won’t that be as tiring for you as it is for everyone who has to deal with you.’

In revenge for assessments of this kind, Shaw had quickly learned to skip-read his own experience, maintaining through adolescence only the most lateral relationship with its problems. A short attention span had helped: if for a month or two he liked motorcycles, by Christmas it was horses. He didn’t meet girls. He didn’t make friends. With university behind him, he’d found himself able to skirt most events and encounters, problematic or not, by cataloguing them under ‘sketchy and uninterpretable’ even as they occurred. When he actually took in the things that happened to him, the work was done somewhere else, somewhere deep, if he had anywhere like that: his surface focus – indeed his entire personality – always seemed to be taken up somewhere else.”
― M. John Harrison, The Sunken Land Begins to Rise Again

“I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.”
― Barbara Kingsolver, Demon Copperhead