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Der Zauberberg
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Sarah Perry
“William Ransome and Cora Seaborne, stripped of code and convention, even of speech, stood with her strong hand in his: children of the earth lost in wonder.”
― Sarah Perry, The Essex Serpent

Michael Ondaatje
“She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.”
― Michael Ondaatje, The English Patient

Seamus Deane
“People with green eyes were close to the fairies, we were told; they were just here for a little while, looking for a human child they could take away. If we ever met anyone with one green and one brown eye we were to cross ourselves, for that was a human child that had been taken over by the fairies. The brown eye was the sign it had been human. When it died, it would go into the fairy mounds that lay behind the Donegal mountains, not to heaven, purgatory, limbo or hell like the rest of us. These strange destinations excited me, especially when a priest came to the house of a dying person to give the last rites, the sacrament of Extreme Unction. That was to stop the person going to hell. Hell was a deep place. You fell into it, turning over and over in mid-air until the blackness sucked you into a great whirlpool of flames and you disappeared forever.”
― Seamus Deane, Reading in the Dark

Sebastian Faulks
“I know. I was there. I saw the great void in your soul, and you saw mine.”
― Sebastian Faulks, Birdsong

Robert Hughes
“In the Somme valley, the back of language broke. It could no longer carry its former meanings. World War I changed the life of words and images in art, radically and forever. It brought our culture into the age of mass-produced, industrialized death. This, at first, was indescribable.”
― Robert Hughes, The Shock of the New

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