Chahat

“She feels for him, surrounded by these blustering middle-aged people, men who admire him and at the same time fear and perhaps resent him, men who want to impress him but also to intimidate or slight him.”
― Sally Rooney, Intermezzo

“You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end.
You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“Sonnet 70:

That thou art blamed shall not be thy defect,
For slander’s mark was ever yet the fair;
The ornament of beauty is suspect,
A crow that flies in heaven’s sweetest air.
So thou be good, slander doth but approve
Thy worth the greater, being wooed of time;
For canker vice the sweetest buds doth love,
And thou present’st a pure unstained prime.
Thou hast passed by the ambush of young days
Either not assailed, or victor being charged;
Yet this thy praise cannot be so thy praise,
To tie up envy, evermore enlarged,
If some suspect of ill masked not thy show,
Then thou alone kingdoms of hearts shouldst owe.”
― William Shakespeare, Shakespeare's Sonnets

“It can be exploitative to give money; also to take it. Money overall a very exploitative substance, creating it seems fresh kinds of exploitation in every form of relationality through which it passes. Greasing with exploitation the wheels of human interaction generally.”
― Sally Rooney, Intermezzo