Tanner Allison

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The New Drawing o...
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Songs of Innocenc...
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Harry M. Caudill
“A unionist who had borne the brunt of the organizing battles in Harlan County once showed me a blue steel Smith and Wesson pistol which, with a twinkle, he referred to as a "John L. Lewis peacemaker." When I asked him if the union had issued the firearm to him he smiled slyly but made no reply except to puff on his pipe.”
Harry M. Caudill, Night Comes to the Cumberlands: A Biography of a Depressed Area

Harry M. Caudill
“Thus the land was sowed with bitterness, from which crops of bloodshed were to be harvested for generations to come.”
Harry M. Caudill, Night Comes to the Cumberlands: A Biography of a Depressed Area

Wendell Berry
“And it is one of the miracles of science and hygiene that the germs that used to be in our food have been replaced by poisons.”
Wendell Berry, The Unsettling of America: Culture & Agriculture

Richard Russo
“The world is divided between kids who grow up wanting to be their parents and those like us, who grow up wanting to be anything but. Neither group ever succeeds.”
Richard Russo, Straight Man

“In his theory of tragedy, Nietzsche captured the delicate balance, in the genuinely tragic, between the creation of forms and the dissolving of forms. Our individual lives, Nietzsche suggests, are transitory and in some sense illusory, ephemeral shapes that emerge from the energy that is the universe and that, in short order, are reabsorbed into the oneness. The enriching tragic in life can be missed in two ways. We can attribute ourselves and our productions an illusory permanence, like a deluded builder of sandcastles who believes his creation is eternal. Or, alternatively, we can be defeated by our transience, unable to build, paralyzed as we wait for the tide to come in. Nietzsche envisions the tragic man or woman, living life to the fullest, as one who builds sandcastles passionately, all the time aware of the coming tide. The ephemeral, illusory nature of all form does not detract from the surrender to the passion of the work; it enhances and enriches it.
The genuinely romantic reflects this subtle blend of qualities that Nietzsche discovered in the tragic. The lover builds the castles of romance as if they would last forever, knowing full well they are fragile, transitory structures. And the splitting Freud termed "psychical impotence" is an effort to reduce the risk by segregating permanence from adventure. Those boring, sturdy castles over there will last forever; these other fanciful castles are only one-night stands. But in that splitting, something very important is lost. For authentic romance is tragic in Nietzsche's sense. It ends in death; it is never simply stable; at its best it comes and goes, perpetually lost and rediscovered. "Love dies or else lovers die," notes Harold Bloom in his discussion of Romeo and Juliet, "those are the pragmatic possibilities." Romantic passion requires a surrender to a depth of feeling that should come with guarantees. Unfortunately, there are no guarantees. Life and love are inevitably difficult and risky, and to control the risk we all struggle to locate and protect sources for both safety and adventure, often in different relationships.”
Stephen A. Mitchell, Can Love Last?: The Fate of Romance over Time

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