Ifer S

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Ulysses
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Hernan Diaz
“Those who accused him of being excessively frugal failed to understand that, in truth, he had no appetites to repress.”
Hernan Diaz, Trust

Hernan Diaz
“Because what she dreaded now, ever since that walk down Lexington Avenue, was that the illness that had possessed, transformed, and consumed her father might also be at work in her brain. She could feel herself think differently and knew that, in the end, it did not matter whether this feeling was based on reality or fantasies. What mattered was that she was unable to stop thinking about her thoughts. Her speculations reflected one another, like parallel mirrors- and, endlessly, each image inside the vertiginous tunnel looked at the next wondering whether it was the original or a reproduction. This, she told herself, was the beginning of madness. The mind becoming the flesh for its own teeth.”
Hernan Diaz, Trust

Hernan Diaz
“As I read on, however, the prose itself rather than the content became the center of my attention. It was unlike the books they had made me read at school and had nothing to do with the mysteries I used to check out of the library. Later, when I finally went to college, I would be able to trace Vanner’s literary influences and consider his novel from a formal point of view (even if he was never assigned reading for any of the courses I took, since his work was out of print and already quite unavailable). Yet back then I had never experienced anything like that language. And it spoke to me. It was my first time reading something that existed in a vague space between the intellectual and the emotional. Since that moment I have identified that ambiguous territory as the exclusive domain of literature. I also understood at some point that this ambiguity could only work in conjunction with extreme discipline—the calm precision of Vanner’s sentences, his unfussy vocabulary, his reluctance to deploy the rhetorical devices we identify with “artistic prose” while still retaining a distinctive style. Lucidity, he seems to suggest, is the best hiding place for deeper meaning—much like a transparent thing stacked in between others. My literary taste has changed since then, and Bonds has been displaced by other books. But Vanner gave me my first glimpse of that elusive region between reason and feeling and made me want to chart it in my own writing.”
Hernan Diaz, Trust

Hernan Diaz
“A just called from Z (again), asking for advice. Kolbe, Lenbach, London, NY etc., etc., etc., etc. As always, he mistakes doubt with depth, hesitation with analysis.”
Hernan Diaz, Trust

Hernan Diaz
“Fiction harmless? Look at religion. Fiction harmless? Look at the oppressed masses content with their lot because they have embraced the lies imposed on them. History itself is just a fiction-a fiction with an army. And reality? Reality is a fiction with an unlimited budget. That's what it is. And how is reality funded? With yet another fiction: money. Money is at the core of it all. An illusion we've all agreed to support. Unanimously. We can differ on other matters, like creed or political affiliations, but we all agree on the fiction of money and that this abstraction represents concrete goods. Any goods. Look it up. It's all in Marx. Money, he says, is not one thing. It is, potentially, all things. And for this reason it is unrelated to all things.”
Hernan Diaz, Trust

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