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“Every year, on the Emperor's birthday, he makes a resolution to begin a new life and not get into debt. And so he gets drunk. And comes home late at night, stands in the kitchen with drawn sword, and commands an entire regiment. The pots are platoons, the teacups are units, the plates are companies. Simon Demant is a colonel, a colonel in the service of Franz Joseph I.”
― The Radetzky March
― The Radetzky March
“Gradually too, Trotta's disappointment was replaced by a sweet melancholy. He made a pact with his sadness. Everything in the world was as sad as it could be, and at the very heart of this wretched world was the Lieutenant. It was for him that the frogs were bruiting so piteously tonight, and the pain-filled crickets were waiting on his behalf. It was for him that the spring night was filled with such a sweet and easy sadness, for him that the stars were positioned so unattainably high in the sky, and it was to him alone that their light blinked so longingly and vainly. The unending pain of the world fitted itself to Trotta's hurt.”
― The Radetzky March
― The Radetzky March
“Our grandfathers didn't leave us much strength, not enough strength to live with, but just about enough to die a meaningless death. Ach!”
― The Radetzky March
― The Radetzky March
“Oh mighty God, how great is your animal kingdom, there’s no shortage of idiots.”
― Berlin Finale - English edition
― Berlin Finale - English edition
“There still exists - even today - a yearning, a nostalgia for European solidarity, a solidarity of European culture. Regrettably, solidarity itself no longer exists, except in hearts, in consciences, in the minds of a few great men at the heart of each nation. European consciousness - or what one might call a ‘cultural European awareness’ - had been on the wane for years ever since the awakening of national identity. You could say that patriotism has killed Europe. Patriotism is particularism. ...
However, European culture goes back much further than the nations of Europe. Greece, Rome and Israel, Christendom and Renaissance, the French Revolution and Germany’s eighteenth century, the supranational music of Austria and Slavic poetry: these are the forces that have sculpted the face of Europe. All these forces have forged European solidarity and the European cultural consciousness. None of these forces know national boundaries. All are the enemies of that barbarian power: so-called ‘national pride’.”
― On the End of the World
However, European culture goes back much further than the nations of Europe. Greece, Rome and Israel, Christendom and Renaissance, the French Revolution and Germany’s eighteenth century, the supranational music of Austria and Slavic poetry: these are the forces that have sculpted the face of Europe. All these forces have forged European solidarity and the European cultural consciousness. None of these forces know national boundaries. All are the enemies of that barbarian power: so-called ‘national pride’.”
― On the End of the World
Karel’s 2025 Year in Books
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