Chels Simmons

“Which is to say: don't kill yourself. Even when the darkness is total. Always know that life is not still. Time is space. You are moving through that galaxy. Wait for the stars.”
― Matt Haig, The Humans

“The castle is situated at the terminus of a long and upward-winding mountain road. It presents a somewhat forbidding aspect to the world, for there is little about it to suggest gaiety or warmth or any of those qualities that might assure a wayfarer of welcome. Rather, this vast edifice of stone exudes an austerity, cold and repellent, a hint of ancient mysteries long buried, an effluvium of medieval dankness and decay. At night, and most particularly on nights when the moon is slim or cloud-enshrouded, it is a heavy blot upon the horizon, a shadow only, without feature save for its many-turreted outline; and should the moon be temporarily released from her cloudy confinement, her fugitive rays lend scant comfort, for they but serve to throw the castle into sudden, startling chiaroscuro, its windows fleetingly assuming the appearance of sightless though all-seeing orbs, its portcullis becoming for an instant a gaping mouth, its entire form striking the physical and the mental eye as would the sight of a giant skull.”
― Ray Russell, Haunted Castles: The Complete Gothic Stories

“Be kind to yourself, so you can be happy enough to be kind to the world.”
― Misha Collins

“Beneath the haunted castle lies the dungeon keep: the womb from whose darkness the ego first emerged, the tomb to which it knows it must return at last. Beneath the crumbling shell or paternal authority, lies the maternal blackness, imagined by the Gothic writer as a prison, as a torture chamber- from which the cries of the kidnapped anima cannot even be heard. The upper and the lower levels of the ruined castle or abbey represent the contradictory fears at the heart of Gothic terror: dread of the superego, whose splendid battlements have been battered but not quite cast down- and of the id, whose buried darkness abounds in dark visions no stormer of the castle had ever touched.”
― Leslie A. Fiedler, Love and Death in the American Novel