Richard Odier

“What does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but “a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators.” In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this “quick and sagacious penetration” (Fielding), Musil had already long ago discerned the “society of spectacle.”
― Milan Kundera, The Curtain: An Essay in Seven Parts

“When I was an activist in the 1980s, ninety-eight percent of my time was spent stuffing envelopes and writing addresses on them. The remaining two percent was the time we spent figuring out what to put in the envelopes. Today, we get those envelopes and stamps and address books for free. This is so fantastically, hugely different and weird that we haven’t even begun to feel the first tendrils of it.”
― Cory Doctorow, In Real Life

“It is not always the same thing to be a good man and a good citizen.”
― Aristotle, Nicomachean Ethics and Politics

“You don't have to burn books to destroy a culture. Just get people to stop reading them.”
― Ray Bradbury