Papercuts1

“Neither of them could tell who had made the first move, or whether they acted in unison. They were holding each other tightly before they knew what happened, Robin's chin on Strike's shoulder, his face in her hair. He smelled of sweat, beer and surgical spirits, she, of roses and the faint perfume that he had missed when she was no longer in the office. The feel of her was both new and familiar, as though he had held her a long time ago, as though he had missed it without knowing it for year. Through the closed door upstairs the band playing on:

I'll go wherever you will go
If I could make you mine ...”
― Robert Galbraith, Lethal White

“The path I've been led down is one of senseless catastrophe, a classic Hollywood tale of the man who plummets to rock bottom just moments before he would have crested the peak. [...] I'm living out this queer tragedy as they write it for me - just one more tormented, half-in-the closet gay character whose dark descent can serve as a cautionary tale AND move tickets. But that's certainly not the only queer genre convention out there, no by a long shot. And while tragedies are important stories to tell, our appetite can be satiated with more than just suffering. If the story is good, it will find an audience. Whether it's a tragedy or a triumph doesn't matter.”
― Chuck Tingle, Bury Your Gays

“You can bloody hate someone and still wish they gave a shit about you and hate yourself for wishing it.”
― Robert Galbraith, Lethal White

“Pretending you’re OK when you aren’t isn’t strength.”
“Well, that’s where you’re wrong,” Robin contradicted him. The champagne had fizzed on her tongue and seemed to give her courage even before it hit her brain. “Sometimes, acting as though you’re all right, makes you all right. Sometimes you’ve got to slap on a brave face and walk out into the world, and after a while it isn’t an act anymore, it’s who you are. If I’d waited to feel ready to leave my room after—you know,” she said, “I’d still be in there. I had to leave before I was ready.”
― Robert Galbraith, Lethal White