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Tom  Reynolds
“Prayers For Rain' begins like practically every Cure song, with an introduction that's longer than most Bo Diddley singles. Never mind the omnipresent chill, why does Robert Smith write such interminable intros? I can put on 'Prayers For Rain,' then cook an omelette in the time it takes him to start singing. He seems to have a rule that the creepier the song, the longer the wait before it actually starts. I'm not sure if Smith spends the intro time applying eye-liner or manually reducing his serotonin level, but one must endure a lot of doom-filled guitar patterns, cathedral-reverb drums and modal string synth wanderings during the opening of 'Prayers for Rain.”
Tom Reynolds, I Hate Myself and Want to Die: The 52 Most Depressing Songs You've Ever Heard

“Loving music had pushed all of us off the track- away from the normal pursuit of career, mate, and family, on an endless quest for that vibrating high, the plunge beyond time that comes only when you submerge yourself beneath the waterline of amplified sound. We were addicts, in a way, but also adept, enlightened by a noise most people considered no more than a pleasant distraction. What was left for us but to practice our art of listening?”
Ann Powers, Weird Like Us: My Bohemian America

Charlotte Brontë
“I would always rather be happy than dignified.”
Charlotte Brontë, Jane Eyre

Emilie Autumn
“Perfume was first created to mask the stench of foul and offensive odors...
Spices and bold flavorings were created to mask the taste of putrid and rotting meat...
What then was music created for?
Was it to drown out the voices of others, or the voices within ourselves?
I think I know.”
Emilie Autumn, The Asylum for Wayward Victorian Girls

Patrick Ness
“But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again. ”
Patrick Ness, The Knife of Never Letting Go

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