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We have moved, aesthetically, from post-industrial dystopia to the Gothic, with maybe a hint of steampunk.
I remember finding this hilarious and irritating when I read it.
A large part of the point of description is to set atmosphere, perhaps deploy some symbolism that help develop the themes of the story. It shouldn't be to help the reader create a picture in their head of the physical surroundings. Saying "it's Gothic" might make the reader picture some crumbling stone walls, but doesn't make the reader *feel* how they would feel if you actually evocatively described those crumbling walls. I have no idea what the author was going for with this approach, but it really feels more like incompetence than intent.
Amelie Rae liked this
“I am sorrowful. I am sorrowful that I happened to be born into a world where being disgusted with yourself was what you were supposed to be. I am sorrowful that my fellow countrymen feel that being human is something to repress, something ugly, something nasty. It's... It's just a fucking shame. It really is.
I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away.
I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.”
― City of Stairs
I am penitent. I am penitent for all the relationships this shame has ruined. I am penitent that I've allowed my shame and unhappiness to spread to others. I've fucked men and I've fucked women, Father Kolkan. I have sucked numerous pricks, and I have had my pricked sucked by numerous people. I have fucked and been fucked. And it was lovely, really lovely. I had an excellent time doing it, and I would gladly do it again. I really would. I have been lucky enough to find and meet and come to hold beautiful people in my arms - honestly, some beautiful, lovely, brilliant people - and I am filled with regret that my awful self-hate drove them away.
I don't know if you made the world, Father Kolkan. And I don't know if you made my people or if they made themselves. But if it was your words they taught me as a child, and if it's your words that encourage this vile self-disgust, this ridiculous self-flagellation, this incredibly damaging idea that to be human and to love and to risk making mistakes is wrong, then... Well, I guess fuck you, Father Kolkan.”
― City of Stairs
“He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.”
― The Amber Spyglass
― The Amber Spyglass
“Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seeds of rapacious licence and oppression over again, and it will surely yield the same fruit according to its kind.”
― A Tale of Two Cities
― A Tale of Two Cities
“My daughter!” cried Lord Asriel, exulting. “Isn’t it something to bring a child like that into the world? You’d think it was enough to go alone to the king of the armored bears and trick his kingdom out of his paws—but to go down into the world of the dead and calmly let them all out! And that boy; I want to meet that boy; I want to shake his hand. Did we know what we were taking on when we started this rebellion? No. But did they know—the Authority and his Regent, this Metatron—did they know what they were taking on when my daughter got involved?”
― His Dark Materials
― His Dark Materials
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