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Intermezzo
by
Most women ultimately very likeable individuals. Men, as everyone knows, disgusting.
“It seems to me that your sense of other people’s awfulness might be compensating for your own sense of inferiority and fear of rejection. You rationalize the rejection of your peers by telling yourself it comes from other people’s deficiencies rather than your own. They can’t understand your philosophy or your ideas. “All of this leaves you terribly lonely and isolated, which I think explains your susceptibility to this computer fellow. He seems to be offering you just what you want: a noninterpersonal interpersonal relationship”
― The Idiot
― The Idiot
“He isn’t a real person to you. If he was a real person, you would have all kinds of opportunities to see the flaws in the situation—or to see that, as far as you’re concerned, he isn’t really there. Instead, because he exists as a series of messages, he’s always there, every time you turn on the computer. I bet you read those messages over and over, am I right?” “Yes.” “Of course you do. And he’s the ideal companion, because you get to fill in the blanks.”
― The Idiot
― The Idiot
“For single women, with or without children, cities offer domestic infrastructure. The city itself becomes a kind of partner, providing for single women the kind of services that women have, for generations, provided men.”
― All the Single Ladies: Unmarried Women and the Rise of an Independent Nation
― All the Single Ladies: Unmarried Women and the Rise of an Independent Nation
“I think some men love the idea of a strong independent woman but they don’t want to marry a strong independent woman,”
― All the Single Ladies: Unmarried Women and the Rise of an Independent Nation
― All the Single Ladies: Unmarried Women and the Rise of an Independent Nation
“It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.”
― Slouching Towards Bethlehem
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.”
― Slouching Towards Bethlehem
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