Samb Hicks
https://www.goodreads.com/sambson
Samb Hicks
is currently reading
progress:
(page 21 of 176)
"Wondering how children would take this stuff. In the first 3 stories (they're grouped like; '5 stories about the potato faced blind man blah, blah, blah') there was a lot of repetition of the long odd names of characters. A little tedious, which is why I haven't picked it back up... yet." — May 31, 2019 05:51AM
"Wondering how children would take this stuff. In the first 3 stories (they're grouped like; '5 stories about the potato faced blind man blah, blah, blah') there was a lot of repetition of the long odd names of characters. A little tedious, which is why I haven't picked it back up... yet." — May 31, 2019 05:51AM
progress:
(page 74 of 192)
"It starts as an autobiog, then transforms into poetry, then a stream of consciousness riff on the inner self, our place on the planet and anything else he thinks of. Really great, just slow going, what with no punctuation and only every 100th word capitalized." — May 31, 2019 05:45AM
"It starts as an autobiog, then transforms into poetry, then a stream of consciousness riff on the inner self, our place on the planet and anything else he thinks of. Really great, just slow going, what with no punctuation and only every 100th word capitalized." — May 31, 2019 05:45AM


“It was not my intention - it never was - to invent a character who should speak for me, the author, in person. A character is in a story to fill a role there, and the character's life along with its expression of life is defined by that surrounding - indeed is created by its own story. Yet, it seems to me now, years after I wrote The Golden Apples, that I did bring forth a character with whom I came to feel oddly in touch. She derived from what I already knew for myself, even felt I had always known. What I have put into her is my passion for my own life work, my own art. Exposing yourself to risk is a truth that Mrs. Eckhart and I had in common. What animates and possesses me is what drives Mrs. Eckhart, the love of her art and the love of giving it, the desire to give it until there is no more left. Of course any writer is in part all of his characters. How otherwise would they be known to him, occur to him, become what they are? In the making of her character out of my most inward and most deeply felt self, I would say I have found my voice in my own fiction.”
― On Writing
― On Writing

“Taking trips tore all of us up inside, for they seemed, each journey away from home, something that might have been less selfishly undertaken, or something that would test us, or something that had better be momentous, to justify such a leap into the dark. The torment and guilt - the torment of having the loved one go, the guilt of being the loved one gone - comes into my fiction as it did and does in my life. And most of all the guilt then was because it was true: I had left to arrive at some future and secret joy, at what was unknown, and what was no in New York, waiting to be discovered. My joy was connected with my writing; that was as much as I knew.”
― On Writing
― On Writing

“The frame through which I viewed the world changed too, over time. Greater than scene, I came to see, is situation. Greater than situation is implication. Greater than all of these is a single, entire human being, who will never be confined in any frame.”
― On Writing
― On Writing

“Through learning at my later date things I hadn't known, or had escaped or possibly feared realizing, about my parents - and myself - I glimpsed our whole family life as if it were freed of that clock time which spaces us apart so inhibitingly, divides young and old, keeps our living through the same experiences at separate distances. It is our inward journey that leads us through time - forward or back, seldom in a straight line, most often spiraling. Each of us is moving, changing, with respect to others. As we discover, we remember; remembering, we discover; and most intensely do we experience this when our separate journeys converge. Our living experience at those meeting points is one of the charged dramatic fields of fiction.”
― On Writing
― On Writing

“What discoveries I made in the course of writing stories all begin with the particular, never the general. They are mostly hindsight: arrows that I now find I myself have left behind me, which have shown me some right, or wrong, way I have come. What one story may have pointed out to me is of no avail in the writing of another. But 'avail' is not what I want; freedom ahead is what each story promises - beginning anew. And all the while, as further hindsight has told me, certain patterns in my work repeat themselves without my realizing. There would be no way of knowing this, for during the writing of any single story, there is no other existing. Each writer must find out for himself, I imagine, on what basis he lives with his own stories.”
― On Writing
― On Writing
Samb’s 2024 Year in Books
Take a look at Samb’s Year in Books, including some fun facts about their reading.
More friends…
Polls voted on by Samb
Lists liked by Samb