“There is something subversive about this garden of Serena’s, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamour to be heard, though silently. A Tennyson garden, heavy with scent, languid; the return of the word swoon. Light pours down upon it from the sun, true, but also heat rises, from the flowers themselves, you can feel it: like holding your hand an inch above an arm, a shoulder. It breathes, in the warmth, breathing itself in. To walk through it in these days, of peonies, of pinks and carnations, makes my head swim.
The willow is in full plumage and is no help, with its insinuating whispers. Rendezvous, it says, terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grown underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire. Even the bricks of the house are softening, becoming tactile; if I leaned against them they’d be warm and yielding.”
― The Handmaid's Tale
The willow is in full plumage and is no help, with its insinuating whispers. Rendezvous, it says, terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grown underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire. Even the bricks of the house are softening, becoming tactile; if I leaned against them they’d be warm and yielding.”
― The Handmaid's Tale
“Outside, a streetcar rumbles past, bell clanging. Streetcars must have been going past all this time. Why then has the effect been silence? Silence and his breath, their breaths, labouring, withheld, trying not to make any noise. Or not too much noise. Why should pleasure sound so much like distress? Like someone wounded. He'd put his hand over her mouth.”
― The Blind Assassin
― The Blind Assassin
“I say "her" because I don't recall having been present, not in any meaningful sense of the word. I and the girl in the picture have ceased to be the same person. I am her outcome, the result of the life she once lived headlong; whereas she, if she can be said to exist at all, is composed only of what I remember. I have the better view - I can see her clearly, most of the time. But even if she knew enough to look, she can't see me at all.”
― The Blind Assassin
― The Blind Assassin
“She wished him to owe his recovery to her alone - to her care, to her tireless devotion. That is the other side of selflessness: it tyranny.”
― The Blind Assassin
― The Blind Assassin
“Hands like stumps: those hands could rescue you or beat you to a pulp and they would look the same while doing either thing.”
― The Blind Assassin
― The Blind Assassin
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