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Jonathan Safran Foer
“Why couldn't she have slid it under the door? he wondered. Why couldn't she have folded it? It looked just like any other note she would leave him, like, Could you try to fix the broken knocker? or I'll be back soon, don't worry. It was so strange to him that such a different kind of note - I had to do it for myself - could look exactly the same: trivial, mundane, nothing. He could have hated her for leaving it there in plain sight, and he could have hated her for the plainness of it, a message without adornment, without any small clue to indicate that yes, this is important, yes, this is the most painful note I've ever written, yes, I would sooner die than have to write this again. Where were the dried teardrops? Where was the tremor in the script?”
― Jonathan Safran Foer, Everything is Illuminated

Jonathan Safran Foer
“You will remember when a bird crashed through the window and fell to the floor. You will remember, those of you who were there, how it jerked its wings before dying, and left a spot of blood on the floor after it was removed. But who among you was first to notice the negative bird it left in the window? Who first saw the shadow that the bird left behind, the shadow that drew blood from any finger that dared to trace it, the shadow that was better proof of the bird's existence than the bird ever was?”
― Jonathan Safran Foer, Everything is Illuminated

Jonathan Safran Foer
“Everything is the way it is because everything was the way it was. Sometimes I feel ensnared in this, as if no matter what I do, what will come has already been fixed.”
― Jonathan Safran Foer, Everything Is Illuminated

Anne Carson
“To feel anything
deranges you. To be seen
feeling anything strips you
naked. In the grip of it
pleasure or pain doesn’t
matter. You think what
will they do what new
power will they acquire if
they see me naked like
this.
If they see you
feeling. You have no idea
what. It’s not about them.
To be seen is the penalty.”
― Anne Carson, Red Doc>

Herman Melville
“Who in the rainbow can draw the line where the violet tint ends and the orange tint begins? Distinctly we see the difference of the colors, but where exactly does the one first blendingly enter into the other? So with sanity and insanity.”
― Herman Melville, Billy Budd, Sailor

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