cheryl charli

“The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist ‘cultural revolution’, is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form.”
― Fredric Jameson

“with you, the sense i have lost my place in a book
or simply lost — misplaced the memory
which isn't in the last place where I looked.
a thought that the clouds don't move — that it is we
who thunder past — there it is! an old vacation,
a train ride — sense of immobility.
as sky and forest scroll past in relation,
we are not moved, pretend to love the view,
resort at length to scripted conversation
by a poet-turned-screenwriter who
didn't want this job, career gone grossly wrong
and now drafts action film scripts wholly two-
dimensional unless you choose to don
the 3d glasses that do not stay on —”
― Joshua Ip, Making Love with Scrabble Tiles

“I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.”
― Ta-Nehisi Coates, Between the World and Me

“The classroom was a jail of other people’s interests. The library was open, unending, free.”
― Ta-Nehisi Coates