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The Three-Body Pr...
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Walter Isaacson
“That goes a step too far, I think. Leonardo did not invent the scientific method, nor did Aristotle or Alhazen or Galileo or any Bacon. But his uncanny abilities to engage in the dialogue between experience and theory made him a prime example of how acute observations, fanatic curiosity, experimental testing, a willingness to question dogma, and the ability to discern patterns across disciplines can lead to great leaps in human understanding.”
Walter Isaacson, Leonardo da Vinci

Walter Isaacson
“We saw an example of this pattern-based analysis on the “theme sheet,” where he made the analogy between a branching tree and the arteries in a human, one that he applied also to rivers and their tributaries. “All the branches of a tree at every stage of its height when put together are equal in thickness to the trunk below them,” he wrote elsewhere. “All the branches of a river at every stage of its course, if they are of equal rapidity, are equal to the body of the main stream.”15 This conclusion is still known as “da Vinci’s rule,” and it has proven true in situations where the branches are not very large: the sum of the cross-sectional area of all branches above a branching point is equal to the cross-sectional area of the trunk or the branch immediately below the branching point.”
Walter Isaacson, Leonardo da Vinci

Walter Isaacson
“Leonardo’s initial anatomy studies of 1489 focused on human skulls. He started with a skull that had been sawed in half, top to bottom (fig. 60). Then the front of the left half was sawed off. His groundbreaking technique of drawing the two halves together made it easy to see how the inner cavities were positioned relative to the face. For example, the frontal sinus, which Leonardo is the first person to correctly depict, is shown to rest just behind the eyebrow.”
Walter Isaacson, Leonardo da Vinci

Walter Isaacson
“Another analogy he made was comparing the way that light, sound, magnetism, and the percussion reverberations caused by a hammer blow all disseminate in a radiating pattern, often in waves. In one of his notebooks he made a column of small drawings showing how each force field spreads. He even illustrated what happened when each type of wave hits a small hole in the wall; prefiguring the studies done by Dutch physicist Christiaan Huygens almost two centuries later, he showed the diffraction that occurs as the waves go through the aperture. Wave mechanics were for him merely a passing curiosity, but even in this his brilliance is breathtaking.”
Walter Isaacson

Walter Isaacson
“You may discover in the patterns on the wall a resemblance to various landscapes, adorned with mountains, rivers, rocks, trees, plains, wide valleys and hills in varied arrangement; or again you may see battles and figures in action; or strange faces and costumes, and an endless variety of objects, which you could turn into complete and well-drawn forms. The effect produced by these mottled walls is like that of the sound of bells, in which you may recognize any name or word you choose to imagine. . . . It should not be hard for you to look at stains on walls, or the ashes of a fire, or the clouds, or mud, and if you consider them well you will find marvelous new ideas, because the mind is stimulated to new inventions by obscure things.9”
Walter Isaacson, Leonardo da Vinci

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