Rebecca Light

“I've felt as if I didn't exist, as if I were invisible, miles away from the world, miles away. You can't imagine how much alone I've been all my life.”
― Iris Murdoch, The Sea, the Sea

“When I think of the books I love, there’s always a little laughter in the dark. I love Jane Eyre; I don’t love Wuthering Heights. I love Tolstoy; I don’t love Dostoevsky. I love Joyce; I don’t love Proust. I love Nabokov; I don’t love Pasternak. I don’t think I’m a funny person, but the fiction I grew up on was leavened with humor—I understand the other tradition and I admire it, but I just don’t love it. It never occurs to me to write as, say, A. S. Byatt writes, as I’m sure she would never dream in a squillion years of writing like me. The ironic theme in English writing—and I don’t mean po-mo irony, I mean the irony of someone like Defoe or Dickens—is either in you or it isn’t. Those who find Austen arch and cold and ironical, lacking the kind of intimate and metaphysical commitment of a writer like Emily Brontë cannot be convinced otherwise and vice versa. I appreciate both schools, but I can’t get out of the side I’m on. I don’t think I’d want to, though occasionally I have wet dreams about turning into Iris Murdoch.”
― Zadie Smith

“Speak low if you speak love.”
― William Shakespeare, Much Ado About Nothing

“Here is an appropriate use of the exclamation mark:
The last thing he expected when the elevator door opened was the snarling tiger that leapt at him.
"Ahhhhh!"
...
In almost all situations that do not involve immediate physical danger or great surprise, you should think twice before using an exclamation mark. If you have thought twice and the exclamation mark is still there, think about it three times, or however many times it takes until you delete it.”
― Howard Mittelmark, How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide