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WHEN I LEFT COLLEGE and set out to be a poet I thought of nothing but writing a poem that would live forever. That’s just how I phrased it: live forever. It seemed to me the only noble ambition, and its fumes were evident in my contempt for
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“Is he not approved in the height a villain that hath slandered, scorned, dishonoured my kinswoman? O that I were a man! What, bear her in hand until they come to take hands, and then, with public accusation, uncovered slander, unmitigated rancour - O God, that I were a man! I would eat his heart in the market-place.”
― Much Ado About Nothing
― Much Ado About Nothing
“I've felt as if I didn't exist, as if I were invisible, miles away from the world, miles away. You can't imagine how much alone I've been all my life.”
― The Sea, the Sea
― The Sea, the Sea
“I was just telling Claire about a guy I met in bread class. I hate him, but he could be my soul mate.”
― First Frost
― First Frost
“When I think of the books I love, there’s always a little laughter in the dark. I love Jane Eyre; I don’t love Wuthering Heights. I love Tolstoy; I don’t love Dostoevsky. I love Joyce; I don’t love Proust. I love Nabokov; I don’t love Pasternak. I don’t think I’m a funny person, but the fiction I grew up on was leavened with humor—I understand the other tradition and I admire it, but I just don’t love it. It never occurs to me to write as, say, A. S. Byatt writes, as I’m sure she would never dream in a squillion years of writing like me. The ironic theme in English writing—and I don’t mean po-mo irony, I mean the irony of someone like Defoe or Dickens—is either in you or it isn’t. Those who find Austen arch and cold and ironical, lacking the kind of intimate and metaphysical commitment of a writer like Emily Brontë cannot be convinced otherwise and vice versa. I appreciate both schools, but I can’t get out of the side I’m on. I don’t think I’d want to, though occasionally I have wet dreams about turning into Iris Murdoch.”
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