Polina
https://www.goodreads.com/bluekenar
“Perhaps some people really are born unhappy. I surely hope not. Speaking for my sister and myself: We were born with the capacity and determination to be utterly happy all the time. Perhaps even in this we were freaks. Hi ho.”
― Slapstick, or Lonesome No More!
― Slapstick, or Lonesome No More!
“Aside from battles, the history of nations seemed to consist of nothing but powerless old poops like myself, heavily medicated and vaguely beloved in the long ago, coming to kiss the boots of young psychopaths.”
― Slapstick, or Lonesome No More!
― Slapstick, or Lonesome No More!
“I love you, Eliza,” I said.
She thought about it. “No,” she said at last, “I don’t like it.”
“Why not?” I said.
“It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?”
― Slapstick, or Lonesome No More!
She thought about it. “No,” she said at last, “I don’t like it.”
“Why not?” I said.
“It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?”
― Slapstick, or Lonesome No More!
“Why don't you take a flying fuck at a rolling doughnut? Why don't you take a flying fuck at the mooooooooooooon?”
― Slapstick, or Lonesome No More!
― Slapstick, or Lonesome No More!
“The museums in children’s minds, I think, automatically empty themselves in times of utmost horror—to protect the children from eternal grief.
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died—to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere.”
― Slapstick, or Lonesome No More!
For my own part, though: It would have been catastrophe if I had forgotten my sister at once. I had never told her so, but she was the person I had always written for. She was the secret of whatever artistic unity I had ever achieved. She was the secret of my technique. Any creation which has any wholeness and harmoniousness, I suspect, was made by an artist or inventor with an audience of one in mind.
Yes, and she was nice enough, or Nature was nice enough, to allow me to feel her presence for a number of years after she died—to let me go on writing for her. But then she began to fade away, perhaps because she had more important business elsewhere.”
― Slapstick, or Lonesome No More!
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