Sara Sams

“I wanted to yell at the television like Mama and Papa, but I had to learn how to properly do it. I gathered that being a mouse was better than being a mosquita muerta, and being a snake was better than being a man, because flies pretending to be dead could be crushed, mice were shy, and men were persecuted; but everybody always avoided snakes.”
― Ingrid Rojas Contreras, Fruit of the Drunken Tree

“Discussing his ability to adopt lyrics that someone else has written and sing them with conviction and true emotion, Kotamaki stated that singing about the burden of loss, of a losing a clos person, and the difficulty o fdealing with emotional agony is a human experience, relatable to anyone....As a shared human experience, both the expression of emotions and the difficulty of dealing with the loss of a loved one can surely be considered appealing to 'folk' regardless of one's musical taste, nationality, or country of residence...”
― Mika Elovaara, Connecting Metal to Culture: Unity in Disparity

“One can appear (one is expected to appear) to be querying, to be turning around and examining the idea, but this little dance is a dance of appeasement, designed to silence any feeling that one’s thinking is pat.”
― Louise Glück, American Originality: Essays on Poetry

“This wasn’t about truth at all. The court didn’t want truth, the king didn’t want truth. Any truth I could give them, they could ignore as easily as the rest. It wouldn’t change their minds.”
― Naomi Novik, Uprooted