Velvel

“Concentration camps, annihilation camps, emblems wherein the invisible has made itself visible forever. All the distinctive features of a civilization are revealed or laid bare (“Work liberates,” “rehabilitation through work”). Work, in societies where, indeed, it is highly valued as the materialist process whereby the worker takes power, becomes the ultimate punishment: no longer is it just a matter of exploitation or of surplus-value; labor becomes the point at which all value comes to pieces and the “producer,” far from reproducing at least his labor force, is no longer even the reproducer of his life. For work has ceased to be his way of living and has become his way of dying. Work, death: equivalents. And the workplace is everywhere; worktime is all the time. When oppression is absolute, there is no more leisure, no more “free time.” Sleep is supervised. The meaning of work is then the destruction of work in and through work. But what if, as it has happened in certain commandos, labor consists of carrying stones at top speed from one spot and piling them up in another, and then in bringing them back at the run to the starring point (Langbein at Auschwitz; the same episode in the Gulag; Solzhenitsyn)? Then, no act of sabotage can cancel work, for its annulment is work’s own very purpose. And yet labor remains a meaning: it tends not only to destroy the worker, but more immediately to occupy, to harness and control him and at the same time perhaps to give him an awareness that to produce and not to produce amount to the same – that the one and the other alike are work – yet thereby it also makes the worker, whom it reduces to naught, aware that the society expressed in the labor camp is what he must struggle against even as he dies, even as he survives (lives on despite everything, beneath everything, beyond everything). Such survival is (also) immediate death, immediate acceptance of death in the refusal to die (I will not kill myself, because that would please them; thus I kill myself opposing them, I remain alive despite them).”
― Maurice Blanchot, The Writing of the Disaster

“Aunt Pesya!" Benya then said to the disheveled old woman rolling on the floor. "If you want my life, you can have it, but everyone makes mistakes, even God! This was a giant mistake, Aunt Pesya! But didn't God Himself make a mistake when he settled the Jews in Russia so they could be tormented as if they were in hell?”
― Isaac Babel, The Complete Works of Isaac Babel

“A dark man with a burning torch ran down the street on a dull night in late fall. The little girl saw him from the window of her house, having awoken from a dull dream. Then she heard a sharp rifle shot and a pitiful despondent scream — they must have killed the man running with the torch. Soon she was hearing other shots, many and distant, and the clamor of people in a nearby prison… The girl fell asleep and forgot everything that she would see later, on subsequent days: she was too young, and the memory and reason of early childhood were overgrown forever by her future life. But well into her old age the nameless man rose up sadly and unexpectedly and ran within her — in the dim light of her memory — and died once more in the darkness of the past, in the heart of the grown up child. Amidst hunger and sleep, in a moment of love or of some youthful joy — suddenly in the distance, in the depth of her body there rose again the despondent scream of the dead man, and the young woman instantly altered her life — stopped her dance, if she was dancing, grew more focused, more reliable in her work, if she was laboring, hid her face in her hands, if she was alone. That stormy night of late fall saw the start of the October revolution — in that town where Moskva Ivanovna Chestnova had lived at that time.”
― Andrei Platonov, Happy Moscow

“But men live because they’re born, not by truth or by intelligence, and while the heart goes on beating it scatters and spreads their despair and finally destroys itself, losing its substance in patience and in work.”
― Andrei Platonov, Soul