Sydney

“Tell me “The Subtle Briar” again,’ she asked. She knew I would still know it by heart. I whispered to her in the dark.

‘When you cut down the hybrid rose,
its blackened stump below the graft
spreads furtive fingers in the dirt.
It claws at life, weaving a raft
of suckering roots to pierce the earth.
The first thin shoot is fierce and green,
a pliant whip of furious briar
splitting the soil, gulping the light.
You hack it down. It skulks between
the flagstones of the garden path
to nurse a hungry spur in shade
against the porch. With iron spade
you dig and drag it from the gravel
and toss it living on the fire.

‘It claws up towards the light again
hidden from view, avoiding battle
beyond the fence. Unnoticed, then,
unloved, unfed, it clings and grows
in the wild hedge. The subtle briar
armors itself with desperate thorns
and stubborn leaves – and struggling higher,
unquenchable, it now adorns
itself with blossom, till the stalk
is crowned with beauty, papery white
fine petals thin as chips of chalk
or shaven bone, drinking the light.

‘Izabela, Aniela, Alicia, Eugenia,
Stefania, Rozalia, Pelagia, Irena,
Alfreda, Apolonia, Janina, Leonarda,
Czeslava, Stanislava, Vladyslava, Barbara,
Veronika, Vaclava, Bogumila, Anna,
Genovefa, Helena, Jadviga, Joanna,
Kazimiera, Ursula, Vojcziecha, Maria,
Wanda, Leokadia, Krystyna, Zofia.

‘When you cut down the hybrid rose
to cull and plough its tender bed,
trust there is life beneath your blade:
the suckering briar below the graft,
the wildflower stock of strength and thorn
whose subtle roots are never dead.”
― Elizabeth Wein, Rose Under Fire

“I wept because i had no shoes,
until i met a man who had no feet.”
― Ruta Sepetys, Salt to the Sea

“I became good at pretending. I became so good that after a while the lines blurred between my truth and fiction. And sometimes, when I did a really good job of pretending, I even fooled myself.”
― Ruta Sepetys, Salt to the Sea