Brittan

“The people thrown into other cultures go through something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life cycle. In her novel “Regeneration,” Pat Barker writes of a doctor who “knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cat of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.” But the butterfly is so fit an emblem of the human soul that its name in Greek is “psyche,” the word for soul. We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a flower blooming.”
― Rebecca Solnit, A Field Guide to Getting Lost

“A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet.”
― Stephen Greenblatt, The Swerve: How the World Became Modern

“A life had been ruined. What was it for: just some social media drama? I think our natural disposition as humans is to plod along until we get old and stop. But with social media, we’ve created a stage for constant artificial high drama. Every day a new person emerges as a magnificent hero or a sickening villain. It’s all very sweeping, and not the way we actually are as people.”
― Jon Ronson, So You've Been Publicly Shamed

“The greatest obstacle to pleasure is not pain; it is delusion. The principal enemies of human happiness are inordinate desire—the fantasy of attaining something that exceeds what the finite mortal world allows—and gnawing fear. Even the dreaded plague, in Lucretius’ account—and his work ends with a graphic account of a catastrophic plague epidemic in Athens—is most horrible not only for the suffering and death that it brings but also and still more for the “perturbation and panic” that it triggers.”
― Stephen Greenblatt, The Swerve: How the World Became Modern