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“I have so much in me, and the feeling for her absorbs it all; I have so much, and without her it all comes to nothing.”
― The Sorrows of Young Werther
― The Sorrows of Young Werther
“We can love with our minds, but can we love only with our minds? Love extends itself all the time, so that we can love even with our senseless nails: we love even with our clothes, so that a sleeve can feel a sleeve.”
― The End of the Affair
― The End of the Affair
“The greatest obstacle to pleasure is not pain; it is delusion. The principal enemies of human happiness are inordinate desire—the fantasy of attaining something that exceeds what the finite mortal world allows—and gnawing fear. Even the dreaded plague, in Lucretius’ account—and his work ends with a graphic account of a catastrophic plague epidemic in Athens—is most horrible not only for the suffering and death that it brings but also and still more for the “perturbation and panic” that it triggers.”
― The Swerve: How the World Became Modern
― The Swerve: How the World Became Modern
“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness. ”
― Eating the Dinosaur
― Eating the Dinosaur
“A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet.”
― The Swerve: How the World Became Modern
― The Swerve: How the World Became Modern
Brittan’s 2025 Year in Books
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