“It is the exceptional novelist today who would say of himself, as Henry James did, that he ‘loved the story as story’, by which James meant the story apart from any overt ideational intention it might have, simply as, like any primitive tale, it brings into play what he called ‘the blessed faculty of wonder’. Already in James’s day, narration as a means by which the reader was held spellbound, as the old phrase put it, had come under suspicion. And the dubiety grew to the point where Walter Benjamin could say some three decades ago that the art of story-telling was moribund. T. S. Eliot’s famous earlier statement, that the novel had reached its end with Flaubert and James, would seem to be not literally true; the novel does seem to persist in some sort of life. But we cannot fail to see how uneasy it is with the narrative mode, which once made its vital principle, and how its practitioners seek by one device or another to evade or obscure or palliate the act of telling.”
― Sincerity and Authenticity
― Sincerity and Authenticity
“It lives as pictures only can : by their power TO ESCAPE ILLUSION and stand between man and nature as saints once stood between man and the sky...”
― Spring and All
― Spring and All
“We have seen, therefore, that I am not allowed even to *assume*, for the sake of the necessary practical use of my reason *God, freedom, immortality*, unless at the same time *I deprive* speculative reason of its pretensions to transcendent insights. Reason, namely, in order to arrive at these, must employ principles which extend only to objects of possible experience, and which, if in spite of this they are applied also to what cannot be an object of experience, actually always change this into an appearance, thus rendering all practical *expansion* of pure reason impossible. Hence I had to suspend *knowledge* in order to make room for *belief*. For the dogmatism of metaphysics without a preceding critique of pure reason, is the source of all that disbelief which opposes morality and which is always very dogmatic.”
― Critique of Pure Reason
― Critique of Pure Reason
“Writing is unfortunately like painting; for the creations of the painter have the attitude of life, and yet if you ask them a question they preserve a solemn silence. And the same may be said of speeches. You would imagine that they had intelligence, but if you want to know anything and put a question to one of them, there is always one and the same answer. And when they have been once written down they are tumbled about anywhere among those who may or may not understand them, and know not to whom they should reply, to whom not: and, if they are maltreated or abused, they have no parent to protect them; and they cannot protect or defend themselves.”
― Phaedrus
― Phaedrus
John’s 2025 Year in Books
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