"Greg Adkins"
https://www.goodreads.com/umbrasprite
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To make successful portraits, it probably helps to have taken some self-portraits, and also to have learnt to accept the photographs others have taken of yourself. Otherwise, how is it possible to understand the embarrassment, the worry,
...more
“Where do you see yourself in ten years’ time?” she asked. My answer: “Not sure, but maybe on a beach reading a really good mystery. Not a murder mystery, but the kind where the narrator has to find out what year it is and why he was even born .”
― What Is Not Yours Is Not Yours
― What Is Not Yours Is Not Yours
“I was happy, but happy is an adult word. You don't have to ask a child about happy, you see it. They are or they are not. Adults talk about being happy because largely they are not. Talking about it is the same as trying to catch the wind. Much easier to let it blow all over you. This is where I disagree with the philosophers. They talk about passionate things but there is no passion in them. Never talk happiness with a philosopher.”
― The Passion
― The Passion
“Aya overflows with ache, or power. When the accent is taken off it, ache describes, in English, bone-deep pain. But otherwise ache is blood…fleeing and returning…red momentum. Ache is, ache is is is, kin to fear—a frayed pause near the end of a thread where the cloth matters too much to fail. The kind of need that takes you across water on nothing but bare feet. Ache is energy, damage, it is constant, in Aya’s mind all the time. She was born that way—powerful, half mad, but quiet about it.”
― The Opposite House
― The Opposite House
“He gazed sadly at the threatening sky, at the burned-out remnants of a locust-plagued summer, and suddenly saw on the twig of an acacia, as in a vision, the progress of spring, summer, fall and winter, as if the whole of time were a frivolous interlude in the much greater spaces of eternity, a brilliant conjuring trick to produce something apparently orderly out of chaos, to establish a vantage point from which chance might begin to look like necessity . . . and he saw himself nailed to the cross of his own cradle and coffin, painfully trying to tear his body away, only, eventually, to deliver himself — utterly naked, without identifying mark, stripped down to essentials — into the care of the people whose duty it was to wash the corpses, people obeying an order snapped out in the dry air against a background loud with torturers and flayers of skin, where he was obliged to regard the human condition without a trace of pity, without a single possibility of any way back to life, because by then he would know for certain that all his life he had been playing with cheaters who had marked the cards and who would, in the end, strip him even of his last means of defense, of that hope of someday finding his way back home.”
― Satantango
― Satantango
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