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The Samurai and t...
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Hyperpolitics: Ex...
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The Old Capital
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Jeanette Winterson
“Money culture recognises no currency but its own. Whatever is not money, whatever is not making money, is useless to it. The entire efforts of our government as directed through our society are efforts towards making more and more money. This favours the survival of the dullest.”
Jeanette Winterson, Art Objects: Essays on Ecstasy and Effrontery

Colson Whitehead
“Carney was flattered that the Italian thought he had the scratch to buy the two buildings, that the white side of town recognized his successes, then quickly assumed something was wrong and Bongiovanni was dumping bum properties on him. The city itching to condemn, some expensive disaster in the sewer below, or the final version of the Curse of 125th and Morningside finally come due. None of that turned out to be true, although Mrs. Hernandez in apartment 3R of 381 had a mysterious stain in her bathroom wall that returned each time it was patched and repainted and which bore an eerie resemblance to Dwight Eisenhower, a curse if ever he heard one. “He stares at me,” she said.”
Colson Whitehead, Crook Manifesto

J. Robert Lennon
“Her doctoral dissertation was to have been on the “saturation hypothesis,” a theory of her own devising which held that every word in a work of literature, far from having one or two most likely meanings, meant everything that any reader could make of it, and that each supposed meaning was of equal value to all others. This theory, she said, dovetailed with other current literary theories that gave more power to critics and less to writers, who tended to write with finite intentions.”
J. Robert Lennon, Pieces for the Left Hand: Stories

Jeanette Winterson
“There is a city surrounded by water with watery alleys that do for streets and roads and silted up back ways that only the rats can cross. Miss your way, which is easy to do, and you may find yourself staring at a hundred eyes guarding a filthy palace of sacks and bones. Find your way, which is easy to do, and you may meet an old woman in a doorway. She will tell your fortune, depending on your face. This is the city of mazes.”
Jeanette Winterson, The Passion

Jeanette Winterson
“Melanie,’ I plucked up courage to ask at last, ‘why do you have such a funny name?’ She blushed. ‘When I was born I looked like a melon.’ ‘Don’t worry,’ I reassured her, ‘you don’t any more.”
Jeanette Winterson, Oranges Are Not the Only Fruit

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