“I think there is a general misconception that you write poems because you “have something to say.” I think, actually, that you write poems because you have something echoing around in the bone-dome of your skull that you cannot say. Poetry allows us to hold many related tangential notions in very close orbit around each other at the same time. The “unsayable” thing at the center of the poem becomes visible to the poet and reader in the same way that dark matter becomes visible to the astrophysicist. You can’t see it, but by measure of its effect on the visible, it can become so precise a silhouette you can almost know it.”
―
―
“Three postcards await our perusal, yea, three visions of a world.
One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission.
Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is.
Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.”
― Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World
One: I see a theme park where there are lots of rides, but there is nobody who can control them and nobody who knows how the rides end. Grief counseling, however, is included in the price of admission.
Two: I see an accident. An explosion of some kind inhabited by happenstantial life forms. A milk spill gone bacterial, only with more flame. It has no meaning or purpose or master. It simply is.
Three: I see a stage, a world where every scene is crafted. Where men act out their lives within a tapestry, where meaning and beauty exist, where right and wrong are more than imagined constructs. There is evil. There is darkness. There is the Winter of tragedy, every life ending, churned back into the soil. But the tragedy leads to Spring. The story does not end in frozen death. The fields are sown in grief. The harvest will be reaped in joy. I see a Master's painting. I listen to a Master's prose. When darkness falls on me, when I stand on my corner of the stage and hear my cue, when I know my final scene has come and I must exit, I will go into the ground like corn, waiting for the Son.”
― Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World
“The fear of not living is a deep, abiding dread of watching your own potential decompose into irredeemable disappointment when 'should be' gets crushed by what is. Sometimes I think it would be easier to die than to face that, because 'what could have been' is much more highly regarded than 'what should have been.' Dead kids are put on pedestals, but mentally ill kids get hidden under the rug.”
― Challenger Deep
― Challenger Deep
“So God throws open the door of this world—and enters as a baby. As the most vulnerable imaginable. Because He wants unimaginable intimacy with you. What religion ever had a god that wanted such intimacy with us that He came with such vulnerability to us? What God ever came so tender we could touch Him? So fragile that we could break Him? So vulnerable that His bare, beating heart could be hurt? Only the One who loves you to death.”
― The Greatest Gift: Unwrapping the Full Love Story of Christmas
― The Greatest Gift: Unwrapping the Full Love Story of Christmas
“Gnag bends things for breaking, and the Maker makes a flourish! Evil digs a pit, and the Maker makes a well! That is his way.”
― The Monster in the Hollows
― The Monster in the Hollows
Lydia’s 2025 Year in Books
Take a look at Lydia’s Year in Books, including some fun facts about their reading.
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Favorite Genres
Art, Biography, Children's, Classics, Fantasy, Fiction, Historical fiction, History, Non-fiction, Poetry, Science, and Young-adult
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