Rachel

“Oh, I'm crazy all right. I do have plenty of psychoses. Multiple personality, delusional dementia, OCD. I've got them all, but most of all, I'm crazy about you.”
― Eoin Colfer, The Atlantis Complex

“Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’

Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’

‘Go on.’

‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’

‘So what’s the problem in Progress?’

‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’

‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’

‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’

‘So the problem with that other that that was that…?’

‘That that other-other that that had had approval.’

‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’

There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.”
― Jasper Fforde, The Well of Lost Plots

“The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come.”
― Steven Pressfield, The War of Art: Winning the Inner Creative Battle

“It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”
― Jane Austen, Pride and Prejudice