Yousef

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Book cover for Oathbringer (The Stormlight Archive, #3)
You can’t spend forever floating between worlds, Cousin, she thought. Eventually you’ll need to decide where you want to belong. Life was so much harder, but potentially so much more fulfilling, when you found the courage to choose.
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Emily St. John Mandel
“No one ever thinks they’re awful, even people who really actually are. It’s some sort of survival mechanism.”
Emily St. John Mandel, Station Eleven

Brandon Sanderson
“Shallan grinned. “Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.”
Brandon Sanderson, Oathbringer

Brandon Sanderson
“Tradition is the blind witness they use to condemn us, Teft,” Kaladin said. “It’s the pretty box they use to wrap up their lies. It makes us serve them.”
Brandon Sanderson, The Way of Kings

M.R. Carey
“And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both. But you have to open it to find that out.”
M.R. Carey, The Girl With All the Gifts

George R.R. Martin
“It all goes back and back," Tyrion thought, "to our mothers and fathers and theirs before them. We are puppets dancing on the strings of those who came before us, and one day our own children will take up our strings and dance in our steads.”
George R.R. Martin, A Storm of Swords

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