“The rain in Spain falls mainly on the plain.
There is joy and also pain
but the rain in Spain falls mainly on the plain.
Pretty-plain, loony-sane
The ways of the world all will change and all the ways remain the same
but if you're mad or only sane
the rain in Spain falls mainly on the plain.
We walk in love but fly in chains
And the planes in Spain fall mainly in the rain.”
― The Gunslinger
There is joy and also pain
but the rain in Spain falls mainly on the plain.
Pretty-plain, loony-sane
The ways of the world all will change and all the ways remain the same
but if you're mad or only sane
the rain in Spain falls mainly on the plain.
We walk in love but fly in chains
And the planes in Spain fall mainly in the rain.”
― The Gunslinger
“The Waystone Inn lay in silence, and it was a silence of three parts.
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”
― The Name of the Wind
The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained.
Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint.
The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight.
The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things.
The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”
― The Name of the Wind
“Most people are sheep and sheep don't eat meat”
― Mr. Mercedes
― Mr. Mercedes
“I don’t like people. They fuck me up”
― The Dark Tower
― The Dark Tower
“The hands pulled him forward regardless. The hands of the Tower knew no mercy.
They were the hands of Gan, the hands of ka, and they knew no mercy.
He smelled alkali, bitter as tears. The desert beyond the door was white; blinding; waterless; without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon. The smell beneath the alkali was that of the devil-grass which brought sweet dreams, nightmares, death.
But not for you, gunslinger. Never for you. You darkle. You tinct.
May I be brutally frank? You go on.
And each time you forget the last time. For you, each time is the first time.”
― The Dark Tower
They were the hands of Gan, the hands of ka, and they knew no mercy.
He smelled alkali, bitter as tears. The desert beyond the door was white; blinding; waterless; without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon. The smell beneath the alkali was that of the devil-grass which brought sweet dreams, nightmares, death.
But not for you, gunslinger. Never for you. You darkle. You tinct.
May I be brutally frank? You go on.
And each time you forget the last time. For you, each time is the first time.”
― The Dark Tower
Claudiu’s 2025 Year in Books
Take a look at Claudiu’s Year in Books, including some fun facts about their reading.
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