Thương Nguyễn

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Keys to Drawing
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Andrew Sean Greer
“Arthur, I look at you, and I still see that boy on the beach with the red toenails. Not at first, but my eyes adjust. I see that twenty-one-year-old boy in Mexico. I see that young man in a hotel room in Rome. I see the young writer holding his first book. I look at you, and you’re young. You’ll always be that way for me. But not for anyone else. Arthur, people who meet you now will never be able to imagine you young. They can never go any further back than fifty. It isn’t all bad. It means now people will think you were always a grown-up. They’ll take you seriously. They don’t know that you once spent an entire dinner party babbling about Nepal when you meant Tibet.”
Andrew Sean Greer, Less

James Baldwin
“We can disagree and still love each other unless your disagreement is rooted in my oppression and denial of my humanity and right to exist.”
James Baldwin

Milan Kundera
“and when nobody wakes you up in the morning, and when nobody waits for you at night, and when you can do whatever you want. what do you call it, freedom or loneliness?”
Milan Kundera

Andrew Sean Greer
“Strange to be almost fifty, no? I feel like I just understood how to be young."
"Yes! It's like the last day in a foreign country. You finally figure out where to get coffee, and drinks, and a good steak. And then you have to leave. And you won't ever be back.”
Andrew Sean Greer, Less

Albert Camus
“The desire for possession is only another form of the desire to endure; it is this that comprises the impotent delirium of love. No human being, even the most passionately loved and passionately loving, is ever in our possession. On the pitiless earth where lovers are often separated in death and are always born divided, the total possession of another human being and absolute communion throughout an entire lifetime are impossible dreams. The desire for possession is insatiable, to such a point that it can survive even love itself. To love, therefore, is to sterilize the person one loves. The shamefaced suffering of the abandoned lover is not so much due to being no longer loved as to knowing that the other partner can and must love again. In the final analysis, every man devoured by the overpowering desire to endure and possess wishes that those whom he has loved were either sterile or dead. This is real rebellion. Those who have not insisted, at least once, on the absolute virginity of human beings and of the world, who have not trembled with longing and impotence at the fact that it is impossible, and have then not been destroyed by trying to love halfheartedly, perpetually forced back upon their longing for the absolute, cannot understand the realities of rebellion and its ravening desire for destruction. But the lives of others always escape us, and we escape them too; they have no firm outline. Life from this point of view is without style. It is only an impulse that endlessly pursues its form without ever finding it. Man, tortured by this, tries in vain to find the form that will impose certain limits between which he can be king.”
Albert Camus, The Rebel

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