Daniel Shugrue

“Composing for money was held in no shame, and the public concert spread throughout Europe. Wealthy countries that did not groom their own composers, such as England, imported them from outside with lucrative offers. Handel and Haydn were their two most notable imports. British conductor Roger Norrington said of Handel: "[the Messiah] was written for money ... he was a commercial composer; if he were alive today, he'd be doing jingles for”
― Tyler Cowen, In Praise of Commercial Culture

“Many compositions cannot be comprehended without special training or many hours of repeated listening. Even highly educated consumers who enjoy modern art and read James Joyce often find Elliott Carter and Pierre Boulez to be puzzling or perhaps even painful to listen to. Composers of contemporary "classical" music have not made the headway that their peers in literature or painting have enjoyed. Contemporary music, depending on genre, is either the most or the least popular of the these three arts.”
― Tyler Cowen, In Praise of Commercial Culture

“Unfortunately for the composers of the time, wealthy Renaissance merchants were more likely to commission a painting than a composition. The painting could be owned, repeatedly shown off, and later resold, unlike the music. The financial incentive to commission a composition, which can be enjoyed by any audience member, was weaker. Paintings were closer to private goods, and musical performances were closer to public goods.”
― Tyler Cowen, In Praise of Commercial Culture

“I’ll tell you the truth, Dr. Singh, what I have discovered about these trees is not what I expected. It will not be what your pharmaceutical company expects. It is something much greater, much more ambitious than anything we had hoped for. That was Dr. Rapp’s great lesson in the Amazon, in science: Never be so focused on what you’re looking for that you overlook the thing you actually find.”
― Ann Patchett, State of Wonder