Mark Stroup

“In this way you have to look at the mind as an observer, and
The ordinary thought process will vanish of itself, like (clouds) in the empty sky,”
― Zhabkar Tshogdrug Rangdrol, Flight of the Garuda: Songs of Liberation

“If you are putting trust in God, put trust (in Him) as regards (your) work: sow (the seed), then rely upon the Almighty.”
― Rumi, THE MATHNAWÍ OF JALÁLU’DDÍN RÚMÍ: The Novel of the Soul, VOLUME I & II

“The same things are true of theme. Writing and literature classes can be annoyingly preoccupied by (and pretentious about) theme, approaching it as the most sacred of sacred cows, but (don’t be shocked) it’s really no big deal. If you write a novel, spend weeks and then months catching it word by word, you owe it both to the book and to yourself to lean back (or take a long walk) when you’ve finished and ask yourself why you bothered—why you spent all that time, why it seemed so important. In other words, what’s it all about, Alfie? When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest. Not every book has to be loaded with symbolism, irony, or musical language (they call it prose for a reason, y’know), but it seems to me that every book—at least every one worth reading—is about something. Your job during or just after the first draft is to decide what something or somethings yours is about. Your job in the second draft—one of them, anyway—is to make that something even more clear. This may necessitate some big changes and revisions. The benefits to you and your reader will be clearer focus and a more unified story. It hardly ever fails.”
― Stephen King, On Writing: A Memoir of the Craft

“Could a historiographer drive on his history, as a muleteer drives on his mule,—straight forward;—for instance, from Rome all the way to Loretto, without ever once turning his head aside, either to the right hand or to the left,—he might venture to foretell you to an hour when he should get to his journey's end;—but the thing is, morally speaking, impossible: For, if he is a man of the least spirit, he will have fifty deviations from a straight line to make with this or that party as he goes along, which he can no ways avoid. He will have views and prospects to himself perpetually soliciting his eye, which he can no more help standing still to look at than he can fly;”
― Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman