Mark Stroup

“Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.”
― Anton Chekhov

“The same things are true of theme. Writing and literature classes can be annoyingly preoccupied by (and pretentious about) theme, approaching it as the most sacred of sacred cows, but (don’t be shocked) it’s really no big deal. If you write a novel, spend weeks and then months catching it word by word, you owe it both to the book and to yourself to lean back (or take a long walk) when you’ve finished and ask yourself why you bothered—why you spent all that time, why it seemed so important. In other words, what’s it all about, Alfie? When you write a book, you spend day after day scanning and identifying the trees. When you’re done, you have to step back and look at the forest. Not every book has to be loaded with symbolism, irony, or musical language (they call it prose for a reason, y’know), but it seems to me that every book—at least every one worth reading—is about something. Your job during or just after the first draft is to decide what something or somethings yours is about. Your job in the second draft—one of them, anyway—is to make that something even more clear. This may necessitate some big changes and revisions. The benefits to you and your reader will be clearer focus and a more unified story. It hardly ever fails.”
― Stephen King, On Writing: A Memoir of the Craft

“According to the story, a friend came to visit him one day and found the great man sprawled across his writing desk in a posture of utter despair. “James, what’s wrong?” the friend asked. “Is it the work?” Joyce indicated assent without even raising his head to look at the friend. Of course it was the work; isn’t it always? “How many words did you get today?” the friend pursued. Joyce (still in despair, still sprawled facedown on his desk): “Seven.” “Seven? But James . . . . that’s good, at least for you!” “Yes,” Joyce said, finally looking up. “I suppose it is  . . . . but I don’t know what order they go in!”
― Stephen King, On Writing: A Memoir of the Craft

“In this way you have to look at the mind as an observer, and
The ordinary thought process will vanish of itself, like (clouds) in the empty sky,”
― Zhabkar Tshogdrug Rangdrol, Flight of the Garuda: Songs of Liberation