Thomas

“Only describe, don't explain.”
― Ludwig Wittgenstein

“What is the library? If one believes Mallarmé’s antithesis, then the library would first of all be the place of instrumental spirituality. As a consequence, it would be a place of “production,” because the instrument exercises (instruire) a material, which it trans-forms. It would be the place of the life of spirit, of its genesis—but of its material genesis. In short, the library is a place of writing. It is at once the place of the conservation and elaboration of forms of knowledge—of their memory. But this memory is dead: supported by inorganic, yet organized objects, those which Husserl names “spirit-invested objects.” On the other hand, the library is trans-formed as a network, which is to say that it is digitized—and so it requires “new spiritual instruments.”
― Bernard Stiegler, The Re-Enchantment of the World: The Value of Spirit Against Industrial Populism

“I have no admiration for culture. I have no reserve knowledge, no provisional knowledge. And everything that I learn, I learn for a particular task, and once it’s done, I immediately forget it, so that if ten years later, I have to get involved with something close to or directly within the same subject, I would have to start again from zero, with some few exceptions.”
― Gilles Deleuze

“Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.”
― Andre Breton, Nadja