“Momma intended to teach Bailey and me to use the paths of life that she and her generation and all the Negroes gone before had found, and found to be safe ones. She didn't cotton to the idea that whitefolks could be talked to at all without risking one's life. And certainly they couldn't be spoken to insolently. In fact, even in their absence they could not be spoken of too harshly unless we used the sobriquet “They.” If she had been asked and had chosen to answer the question of whether she was cowardly or not, she would have said that she was a realist.”
― I Know Why the Caged Bird Sings
― I Know Why the Caged Bird Sings
“The black mother perceives destruction at every door, ruination at each window, and even she herself is not beyond her own suspicion. She questions whether she loves her children enough- or more terribly, does she love them too much? Do her looks cause embarrassment- or even terrifying, is she so attractive her sons begin to desire her and her daughters begin to hate her. If she is unmarried, the challenges are increased. Her singleness indicates she has rejected or has been rejected by her mate. Yet she is raising children who will become mates. Beyond her door, all authority is in the hands of people who do not look or think or act like her children. Teachers, doctors, sales, clerks, policemen, welfare workers who are white and exert control over her family’s moods, conditions and personality, yet within the home, she must display a right to rule which at any moment, by a knock at the door, or a ring in the telephone, can be exposed as false. In the face of this contradictions she must provide a blanket of stability, which warms but does not suffocate, and she must tell her children the truth about the power of white power without suggesting that it cannot be challenged.”
― The Heart of a Woman
― The Heart of a Woman
“I have clung
To nothing, lov’d a nothing, nothing seen
Or felt but a great dream!”
― Endymion: A Poetic Romance
To nothing, lov’d a nothing, nothing seen
Or felt but a great dream!”
― Endymion: A Poetic Romance
“she must provide a blanket of stability, which warms but does not suffocate, and she must tell her children the truth about the power of white power without suggesting that it cannot be challenged.”
― The Heart of a Woman
― The Heart of a Woman
“I think of published poets that you could know of...I think [Rainer Maria Rilke] probably has the most great published poems of any poet [...] but Rilke himself was an asshole. If you look at his biography, he was probably misogynist; he was a liar, a cheat; he was a terrible father; he was selfish; he put people down; he had no consideration for anyone [...] yet, he transcends that in his greatest poems. There's that ineffable, spiritual quality - that he himself couldn't reach! But somewhere underneath that reptilian exterior, that asshole exterior of Rainer Maria Rilke, there was some good that came through – like these little sunbursts coming through clouds – that had that moment. And he'd write the Duino Elegies, he'd write the New Poems, and somewhere, that came through.
And that's an amazing thing: you can have a lot of great people who are great individuals, who are loving and caring – and they can't do that. And that's not to say that their lives are meaningless, but they will never be able to affect anyone past the propinquity of their existence. They are never going to be able to affect someone in China; they are never going to be able to affect someone in 2132 the way Rilke can.
And that specialness needs to be acknowledged; that specialness needs to be upheld; it needs to be rewarded, and people need to say, 'Goddamn – that's a good thing! It's a good thing that people make art!”
―
And that's an amazing thing: you can have a lot of great people who are great individuals, who are loving and caring – and they can't do that. And that's not to say that their lives are meaningless, but they will never be able to affect anyone past the propinquity of their existence. They are never going to be able to affect someone in China; they are never going to be able to affect someone in 2132 the way Rilke can.
And that specialness needs to be acknowledged; that specialness needs to be upheld; it needs to be rewarded, and people need to say, 'Goddamn – that's a good thing! It's a good thing that people make art!”
―
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