Dandelion

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Soul Survivor: Ho...
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Otto Weininger
“It is frequently urged that it is necessary to create a public feeling in favour of the full and unchecked mental development of women. Such an argument overlooks the fact that 'emancipation,' the 'woman question,' 'women's rights movements,' are no new things in history, but have always been with us, although with varying prominence at different times in history. It also largely exaggerates the difficulties men place in the way of the mental development of women, especially at the present time. Furthermore it neglects the fact that at the present time it is not the true woman who clamours for emancipation, but only the masculine type of woman, who misconstrues her own character and the motives that actuate her when she formulates her demands in the name of woman.

As has been the case with every other movement in history, so also it has been with the contemporary woman's movement. Its originators were convinced that it was being put forward for the first time, and that such a thing had never been thought of before. They maintained that women had hitherto been held in bondage and enveloped in darkness by man, and that it was high time for her to assert herself and claim her natural rights.

But the prototype of this movement, as of other movements, occurred in the earliest times. Ancient history and medieval times alike give us instances of women who, in social relations and intellectual matters, fought for such emancipation, and of male and female apologists of the female sex. It is totally erroneous to suggest that hitherto women have had no opportunity for the undisturbed development of their mental powers.”
Otto Weininger, Sex and Character: An Investigation of Fundamental Principles

Otto Weininger
“Man is alone in the world, in tremendous eternal isolation. He has no object outside himself; lives for nothing else; he is far removed from being the slave of his wishes, of his abilities, of his necessities; he stands far above social ethics; he is alone. Thus he becomes one and all.”
Otto Weininger, Sex and Character: An Investigation of Fundamental Principles

Otto Weininger
“This brings us in another fashion to the subject of the last chapter, and to another reason for the great memories of genius. The more significant a man is, the more different personalities he unites in himself, the more interests that are contained in him, the more wide his memory must be. All men have practically the same opportunities of perception, but the vast majority of men apprehend only an infinitesimal part of what they have perceived. The ideal genius is one in whom perception and apprehension are identical in their field. Of course no such being actually exists. On the other hand, there is no man who has apprehended nothing that he has perceived. In this way we may take it that all degrees of genius (not talent) exist; no male is quite without a trace of genius. Complete genius is an ideal; no man is absolutely without the quality, and no man possesses it completely. Apprehension or absorption, and memory or retention, vary together in their extent and their permanence. There is an uninterrupted gradation from the man whose mentality is unconnected from moment to moment, and to whom no incidents can signify anything because there is within him nothing to compare them with (such an extreme, of course, does not exist) to the fully developed minds for which everything is unforgettable, because of the firm impressions made and the sureness with which they are absorbed. The extreme genius also does not exist, because even the greatest genius is not wholly a genius at every moment of his life.”
Otto Weininger, Sex and Character: An Investigation of Fundamental Principles

Ray Monk
“But how did you become devoted to the King who had done all this?’ Sudarshana asks. When did this change of feeling take place? ‘I couldn’t tell you’, comes the reply: I don’t know myself. A day came when all the rebel in me knew itself beaten, and then my whole nature bowed down in humble resignation in the dust. And then I saw … I saw that he was as incomparable in beauty as he was in terror. I was saved, I was rescued.”
Ray Monk, Ludwig Wittgenstein: The Duty of Genius

Ray Monk
“Wittgenstein dislikes all ornamentation that is not part of the construction, and never find anything simple enough.”
Ray Monk, Ludwig Wittgenstein: The Duty of Genius

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