Marie

“Sometimes people did this, closed their eyes for a few seconds and imagined it gave them insights into what it was like to be her. Only, at the end, they could still open their eyes and see.”
― April Henry, Girl, Stolen

“At this moment, somewhere in the world, children died of starvation, bombs exploded to maim and kill the innocent, hurricanes destroyed everything in their path, but the loveliness of this moment was as real as wars and plagues and heartbreak. Pleasure and beauty are as valid as pain and ugliness and when I am fortunate enough to enjoy the former, I do so.”
― Carolyn Hart, Set Sail for Murder

“I have learned that if you must leave a place that you have lived in and loved and where all your yesteryears are buried deep, leave it any way except a slow way, leave it the fastest way you can. Never turn back and never believe that an hour you remember is a better hour because it is dead. Passed years seem safe ones, vanquished ones, while the future lives in a cloud, formidable from a distance.”
― Beryl Markham, West with the Night

“There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.”
― Beryl Markham, West with the Night