Flavia

“«Sì, era una signora. Aveva le sue idee, sulle cose, idee molto diverse dalle mie, forse. Figliolo, ti ho detto che anche se tu non avessi perso la testa, quel giorno, ti avrei mandato ugualmente a casa sua. Volevo che tu imparassi una cosa: volevo che tu vedessi cosa è il vero coraggio, tu che credi che sia rappresentato da un uomo col fucile in mano. Aver coraggio significa sapere di essere sconfitti prima di cominciare, e cominciare ugualmente e arrivare sino in fondo, qualsiasi cosa succeda. È raro vincere in questi casi, ma qualche volta succede. La signora Dubose ha vinto. È morta come voleva morire, senza essere schiava né degli uomini né delle cose. Era la persona più coraggiosa che io abbia conosciuto.»”
― Harper Lee, To Kill a Mockingbird

“But the lovers are locked in, as only lovers can be.”
― Ian McEwan

“But even I know that love doesn't steer by logic, nor is power distributed evenly. Lovers arrive at their first kisses with scars as wells as longings. They're not always looking for advantage. Some need shelter, others press only for the hyperreality of ecstasy, for which they'll tell outrageous lies or make irrational sacrifice. But they rarely ask themselves what they need or want. Memories are poor for past failures. Childhoods shine through adult skin, helpfully or not. So do the laws of inheritance that bind a personality. The lovers don't know there's no free will. I haven't heard enough radio drama to know more than that, though pop songs have taught me that they don't feel in December what they felt in May, and that to have a womb may be incomprehensible to those who don't and that the reverse is also true.”
― Ian McEwan, Nutshell

“But the thing is, jumping off cliffs is kinda my thing. That’s
the choice. I love him, with all that, because of all that. On purpose. I love
him on purpose”
― Casey McQuiston, Red, White & Royal Blue