Kin

“At any rate, she had the pleasure of receiving those kisses on her brow, those smiles, those glances; all feigned, perhaps, but akin in their base and vicious mode of expression to those which would have been discernible on the face of a creature formed not out of kindness and long-suffering, but out of self-indulgence and cruelty. She was able to delude herself for a moment into believing that she was indeed amusing herself in the way in which, with so unnatural an accomplice, a girl might amuse herself who really did experience that savage antipathy towards her father's memory. Perhaps she would not have thought of wickedness as a state so rare, so abnormal, so exotic, one which it was so refreshing to visit, had she been able to distinguish in herself, as in all her fellow-men and women, that indifference to the sufferings which they cause which, whatever names else be given it, is the one true, terrible and lasting form of cruelty.”
― Marcel Proust, Swann’s Way: In Search of Lost Time, Volume 1

“And even in the case of the poor kitchen-maid, was not our attention incessantly drawn to her belly by the load which filled it; and in the same way, again, are not the thoughts of men and women in the agony of death often turned towards the practical, painful, obscure, internal, intestinal aspect, towards that 'steamy side' of death which is, as it happens, the side that death actually presents to them and forces them to feel, a side which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death?”
― Marcel Proust, Swann’s Way: In Search of Lost Time, Volume 1

“Ultimately, it is difficult to divorce the positive evaluation of suffering from the claim that suffering means something, in accordance with the strictures which the manifest image imposes upon our understanding of meaning. But to invest suffering with the varieties of ‘meaning’ concomitant with the manifest image is to automatically reinscribe woe into a spiritual calculus which subordinates present suffering to some recollected or longed-for happiness. By way of contrast, to acknowledge the meaninglessness of suffering is already to challenge the authority of the manifest image, since it is precisely its senselessness that renders woe resistant to redemptive valuation. Once the senselessness of suffering has been acknowledged, it becomes more apposite to insist that ‘woe is deeper than heart’s ecstasy’. This of course would be contrary to the explicitly stated goal of Nietzsche’s transvaluation, viz., that suffering no longer be counted as an objection to life. Nevertheless, unlike its affirmative antithesis, to which, as we shall see below, Nietzsche attributes a redemptive function vis-à-vis suffering, it is precisely the refusal to affirm or redeem woe that challenges the authority of the manifest image.”
― Ray Brassier, Nihil Unbound: Enlightenment and Extinction

“Everything is dead already. Solar death is catastrophic because it vitiates ontological temporality as configured in terms of philosophical questioning’s constitutive horizonal relationship to the future. But far from lying in wait for us in the far distant future, on the other side of the terrestrial horizon, the solar catastrophe needs to be grasped as something that has already happened; as the aboriginal trauma driving the history of terrestrial life as an elaborately circuitous detour from stellar death. Terrestrial history occurs between the simultaneous strophes of a death which is at once earlier than the birth of the first unicellular organism, and later than the extinction of the last multicellular animal.”
― Ray Brassier, Nihil Unbound: Enlightenment and Extinction