Katinka

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Cecità
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La storia infinita
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  (page 182 of 436)
May 14, 2019 02:04PM

 
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Jonathan Safran Foer
“Non ci si può difendere dalla tristezza senza difendersi dalla felicità.”
Jonathan Safran Foer, Extremely Loud & Incredibly Close

Elizabeth Strout
“What young people didn't know, she thought, lying down beside this man, his hand on her shoulder, her arm; oh, what young people did not know. They did not know that lumpy, aged, and wrinkled bodies were as needy as their own young, firm ones, that love was not to be tossed away carelessly . . . No, if love was available, one chose it, or didn't chose it. And if her platter had been full with the goodness of Henry and she had found it burdensome, had flicked it off crumbs at a time, it was because she had not know what one should know: that day after day was unconsciously squandered. . . . But here they were, and Olive pictured two slices of Swiss cheese pressed together, such holes they brought to this union--what pieces life took out of you.”
Elizabeth Strout, Olive Kitteridge

Ray Bradbury
“Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
Ray Bradbury, Fahrenheit 451

Jonathan Safran Foer
“Lui scrisse: Io non so come vivere
Neanch'io, ma sto tentando.
Non so come tentare”
Jonathan Safran Foer, Extremely Loud & Incredibly Close

Jonathan Safran Foer
“In effetti, il più famoso palazzo di New York è fatto di materiali provenienti da quasi tutti i posti tranne New York, proprio come la città deve la sua grandezza agli immigrati”
Jonathan Safran Foer, Extremely Loud & Incredibly Close

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